This is one of those utterly satisfying film experiences that seem to exploit every possibility of the cinematic medium

The French New Wave drew much inspiration from American crime stories, and Jean-Luc Godard's 1965 film PIERROT LE FOU has a plot that is essentially simple: Ferdinand (Jean-Paul Belmondo), five years into a marriage that leaves him unsatisfied, meets his children's babysitter and discovers that she's an old flame of his, Marianne (Anna-Karina). They both want to run away, and as it turns out that Marianne already has some experience in the criminal underworld, the pair stea... read the rest.