Very poorly structured

I had a discussion with my director of photography, Eric Gautier, before the shoot: you have to start by filming the appearances of reality to attempt to attain a state of grace, film the weight of bodies to reveal the soul. It's also why I needed to have contact with something of the chaos of the modern world to finish my film. I wanted to explore the intimate side of the topic in a wider context. I went to film in the biggest refugee camp in the Middle East on the Syrian border. This historic tragedy makes us question what we are, our values, our history, a... read the rest.