From Showtime:

When his band's guitar tech drunkenly passes out backstage, Chris hires Jimmy Vane, an amazing guitar player who used to front a band called the Hurricanes, to replace him. It turns out Jimmy's had a few rough years since Chris last heard him play - substance abuse problems and some time in jail for petty theft - but he swears he's clean now and he does know guitars. Things are okay at first, but soon Chris senses that Jimmy resents his success and Hershel isn't too happy when Jimmy steals the spotlight after being invited on stage to play with Silvertone.

Hershel isn't the only one with a rival. Yola is surprised to discover that her formerly chunky college pal Meg, has slimmed down considerably and now uses her newly luscious body to provide inspiration for great songwriters - in short, guys like Chris.

Meanwhile, Anson finds his own form of feminine - if somewhat ghoulish - inspiration in Lisa, the makeup girl at the funeral parlor where he's landed a moonlighting

From Showtime:

Chris is thrown for a loop when Rhonda, the winner of a radio station's 'Win a Date with Chris Isaak' contest seems to be a man in a dress. When Rhonda shows up backstage at Bimbo's just before Chris and the band are to play a live radio broadcast, Chris suspects that he/she is part of a practical joke, but as they get acquainted, Chris discovers that Rhonda is a real fan, both of his music and of vintage rockabilly. At least Rhonda's certainly better company than his old flame Tanya, the DJ who is hosting the broadcast and who keeps asking strangely personal questions during the interview segments.

To further complicate matters, Chris' guest star on the broadcast, Sheryl Crow, still hasn't arrived. Yola tries to manage the crisis without completely neglecting her new boyfriend, Sam, who has given up a chance to see Kathleen Battle in ""Porgy and Bess"" to come to the show.

Anson, meanwhile, invites his classical music snob father to the show and discovers a secret from