Paul and Jamie are advised by their lawyer to select guardians for the baby in case of their death. But, to their astonishment, rejections pile up. Meanwhile, Jamie is flattered by the attentions of an 18-year-old Bobby Rubenfeld.

As Paul's documentary gets a surprisingly good review at a film festival, Jamie thinks she is going into labor. So they rush to the hospital, only to find out it was a false alarm. This happens several more times, until it's finally for real.

Jamie runs into an old flame in a cab on the way to the hospital. Meanwhile, Paul gets a grand tour of the innards of Roosevelt Hospital courtesy of a film star. And, oh yeah, the baby arrives.

The first day back from the hospital finds Paul and Jamie still figuring out how to care for their daughter and what to name her, until help arrives in the form of Jamie's mother.

Jamie kicks off a letter-writing spree by penning one to her infant daughter to be read on her 18th birthday. Ira and Joan join in on the fun, while Paul goes through draft after draft.

Jamie stumbles upon a strange cure to Mabel's crying fits, while Paul valiently tries to catch a few winks before an important meeting with a Belgian distributor.

Paul and Jamie grapple with the pressure of having sex for the first time since Mabel's birth, but their therapist seems not much help.

Paul's birthday party turns into an event worthy of a detective mystery when Maggie and Hal suspect Buchman party guests of stealing a prestigious painting from their adjacent apartment. Meanwhile, Marvin gets into a growling match with Murray.

Paul convinces Jamie to quit her job. Joan is posing for ""The 20 Most Eligible Bachelorettes in New York"" for a magazine and Debbie is jealous. Paul, Jamie, Ira, Joan and Debbie go to Riff's, where a fire breaks out while Paul is in the bathroom. Ira saves Ursula's life while Jamie, Debbie and Joan run out, leaving Paul in the bathroom. Joan asks Debbie to marry her.

Jamie's ex-boyfriend dies and leaves everything to her. Debbie has second thoughts about marrying Joan.

Mabel's first real film is a biography, looking back at her family's twisted history.

Mabel's first real film is a biography, looking back at her family's twisted history.