While patrolling Federation space, the U.S.S. Shenzhou encounters an object of unknown origin, putting First Officer Michael Burnham to her greatest test yet.

Face to face with Klingon vessels, the U.S.S. Shenzhou prepares for the possibility of war if negotiations fail. Amidst the turmoil, Burnham looks back to her Vulcan upbringing for guidance.

Burnham finds herself aboard the U.S.S. Discovery where she quickly realizes things are not as they seem, including the mysterious Captain Gabriel Lorca.

With tensions and stakes high as Starfleet continues in their efforts to end the war with Klingons, Burnham begins to settle in to her new position aboard the U.S.S. Discovery.

Lorca unexpectedly finds himself in the company of a prisoner of war, Starfleet Lieutenant Ash Tyler, and a notorious intergalactic criminal, Harry Mudd. Meanwhile, Burnham voices her concerns about the repercussions of the spore drive jumps on “Ripper.”

The U.S.S. Discovery crew is intrigued by new addition, Lt. Ash Tyler. Sarek seeks Burnham's help, rekindling memories from her past. Admiral Cornwell questions Lorca's tactics.

As the U.S.S. Discovery crew attempts to let loose at a party, an unwelcome visitor comes aboard bringing about a problematic and twisted sequence of events.

The U.S.S. Discovery is tasked with a high priority mission to planet Pahvo and learn the science behind the Klingon's cloaking technology.

Bypassing Starfleet's orders, Lorca uses the U.S.S. Discovery crew's ultimate asset, the ship itself, in an effort to end the war with the Klingons once and for all.

While in unfamiliar territory, the U.S.S. Discovery crew is forced to get creative in their next efforts to survive opposing and unprecedented forces and return home.

The crew continues their guise, and Burnham is ordered on a merciless mission to end the resistance in hopes of returning home. Meanwhile, Tilly works on restoring Stamets’ neurofunction.

Burnham heads to the ISS Charon with a special "gift" for the Emperor. With the help of an unexpected source, Stamets gains clarity while trapped inside the mycelial network. Saru asks for L'Rell's help.

Lorca plans to move forward with a coup against the Emperor, propelling Burnham to make a quick decision to save not only herself, but the U.S.S. Discovery.

Burnham and the U.S.S. Discovery crew are faced with the harsh reality of the war during their absence. In order to move forward, Starfleet must use unconventional tactics and sources to take their next action against the Klingons.

With Georgiou at the helm of the plan to end the Klingon war once and for all, the U.S.S. Discovery crew struggles to fathom and tolerate her hostile tactics. Memories of past hardships are rekindled within Burnham.

Mirror Georgiou receives a surprise invitation from Leland to join a mysterious organization.

Onboard the U.S.S. Discovery, Ensign Tilly encounters an unexpected visitor in need of help. However, this unlikely pair may have more in common than meets the eye.

After waking up in an unfamiliar sickbay, Craft finds himself on board a deserted ship, and his only companion and hope for survival is an A.I. computer interface

Interviews with producers, writers and stars of Star Trek: Discovery about casting of the debut season.

The cast, writers and producers comment on the overall Klingon War arc and many individual episodes.

Gersha Phillips talks about creating the uniform for the show. The cast and other member of the costume department comment on the costumes (including the Klingon costumes).

The producers and cast speak to the characterization of the show being about the life journey of Michael Burnham, a woman.

The crew talk about the work to make food that can be use for the various scenes where the cast is eating.

All about creating the phaser, the tricorder and the communicator. There is also discussion about the weapons used by the Klingons and all the props used in the Mirror Universe.

Creating the CG characters and scenes for the show. Many different shots showing designers, animatics and the final product. Alex Kurtzman comments on how this work has to match the best seen in contemporary movies. Many shots about green screen work done on Stage 16 at Paramount Studios for the pilot episode.

Todd Cherniawsky discusses the challenge of keeping canon, yet doing something new and fresh in creating the ships for use in the show. He says that the designs were influenced by large navel vessels (e.g. submarines and surface ships). Taking over for Todd Cherniawsky, Tamara Deverell did production design for the second half of season one and talks about designing the Orion Embassy/Encampment on the Klingon home world.

A discussion with executive producer Alex Kurtzman and composer Jeff Russo about creating the Discovery theme and score for the show.

A behind-the-scenes look at the makeup and prosthetics department on Star Trek: Discovery, as they both modernize well-known Star Trek species like the Klingons, Vulcans and the Andorians, and bring to life a new species, the Kelpiens.

Before he was the first Kelpien to join Starfleet, Saru lived a simple life on his home planet of Kaminar with his father and sister. Young Saru, full of ingenuity and a level of curiosity uncommon among his people, yearns to find out what lies beyond his village, leading him on an unexpected path.

Harry Mudd, back to his old tricks of stealing and double-dealing, finds himself in a precarious position aboard a hostile ship – just in time to try out his latest con.

On his first day aboard the USS Enterprise, Ensign Spock and his new superior officer Number One get trapped in a turbolift.

Newly minted Captain Lynne Lucero is excited to take command of the U.S.S. Cabot, until she meets Edward Larkin, an ornery scientist who believes he has found a revolutionary new use for tribbles.

On a show where no location exists in our world, the production and lighting design teams must create every space. Look at the locations and spaces created for Season Two.

Propmaster Mario Moreira takes fans through the world of Discovery props.

Each species has its own fashion style dictated by both culture and physical attributes. Gersha Phillips and her team discuss how costumes inform a character and how they create a spectacular array of clothing, uniforms and armor for every kind of species.

Producers, craftsmen and actors discuss the design process, the implementation and the performance required to bring characters to life.

There are some shots that simply can't be done practically when you are set in space. The VFX team, headed by Jason Zimmerman, pushes the envelope every week to create amazing computer graphics to give fans a realistic feel of space.

A look at the adventures and plot twists encountered in Season 2 by the crew of the Discovery.

Captain Pike shepherds U.S.S. Discovery through Season Two, but must return to his original command on the U.S.S. Enterprise. The production designer, builders, actors and producers discuss the daunting task of reviving the iconic ship's bridge.

A major plot point of the season is the Red Angel. Go behind-the- scenes with producers, directors and Sonequa Martin-Green, along with the craftspeople that created it and made it come to life.

We don't have an overview translated in English. Help us expand our database by adding one.

Fans can also catch a one-on-one discussion with makeup artist James McKinnon and L'Rell actress, Mary Chieffo.

Follow the real life Discovery crew through preparation, shooting and posting the amazing Season Two finale. A true in-depth look at the many talents that come together to bring Discovery to life.

When an attack on Starbase 28 leaves a surprise prisoner under Cadet Thira Sidhu's watch, she is faced with making a decision that may threaten her standing in Starfleet.

Ephraim, a humble tardigrade, is flying through the mycelial network when an unexpected encounter takes her on a bewildering adventure through space.

When a lightning storm in space scares a young Michael Burnham, her father aims to ease her fears with a mythical story about a brave little girl who faced her own fears head on.

12 year-old classmates Kima and Lil find themselves at odds with each other on a day that will change their lives forever.

Jump to the future with the crew of the Discovery as they discuss the new adventures with writers and producers, and dive into how their visions were realized by the cast, sets, costumes and props.

Featuring interviews with cast and stunt coordinator Christopher McGuire, fans get a behind-the-scenes look at the creation of the stunts from rehearsal to the expertise required to make them safe, believable and executed to perfection.

Sonequa Martin-Green takes fans on her season-long journey as Michael Burnham with her personal record of the season and this beloved character.

Traditionally the man behind the mask in Discovery, Kenneth Mitchell is unveiled as Aurellio in the third season. Featuring cast and crew interviews, this emotional and intimate look touches on Kenneth's life with ALS. Discussed on camera for the first time, the featurette highlights how Kenneth's wheelchair was included for his on-screen character, his own take on the various roles he played in Discovery and what those roles mean to the show.

Fans have been intrigued by Starship Discovery's Bridge Crew for three seasons. Now, they can immerse themselves in all things crew-related in this behind-the-scenes look showcasing the characters and actors who bring them to life each week.

Showrunner Michelle Paradise provides a personal log about shooting the beginning of season three in Iceland.

We don't have an overview translated in English. Help us expand our database by adding one.

A quick two-minute bonus that shows the new season 3 on-set tradition of doing 15 claps to get the team amped up started with two of the camera crew; camera dolly grip James Parsons introduces the segment.

The stress and difficulties and challenges of shooting a major TV production during the pandemic.

A comprehensive look at sets, production design, and production value with an emphasis on pushing the boundaries of new technologies to facilitate the show creation process.

A comprehensive look at story, arc, character evolutions and journeys, and more.

Cast and crew reflect on the show's lead role and the part's demands on the screen and on the set. It also looks at Martin-Green's performance.

We don't have an overview translated in English. Help us expand our database by adding one.