La Viuda Negra no está muerta... La Reina de las Drogas Carmen van Walraven se esconde en Canadá y lleva allí una vida anónima. Una tarde acosan a una compañera y Carmen la ayuda. En defensa propia, mata al perpetrador, es arrestada y extraditada a los Países Bajos. Mientras sus hijos están en estado de shock porque su madre todavía está viva, también hay algunas personas que todavía tienen que arreglar algo con Carmen. Todos son nuevamente arrastrados a una montaña rusa emocional. Carmen ahora tendrá que lidiar con su pasado para salvar a su familia.

Dos ex amantes se encuentran luchando por un cierre compartido mientras uno de ellos se prepara para representar una obra de teatro sobre la indescriptible tragedia que los separó hace décadas.

From schools and offices to hospitals and streets, cleaners are working everywhere, tirelessly and modestly. They work hard and keep society running. Invisible confronts viewers with their own involvement and reveals the price paid for the appearances we cherish.

Raymond, un joven holandés, es arrestado en el aeropuerto de Miami con 25000 dólares en efectivo y un Lamborghini esperando para ir a una fiesta.

¿Qué se siente al ser olvidado por el mundo? Un poderoso grito colectivo que denuncia los crímenes de la dictadura militar instaurada en Myanmar tras el golpe de Estado perpetrado el 1 de febrero de 2021: cine e imaginación contra el horror y en defensa de la libertad.

In 2022, 92% of those affected encountered aggression or violence. Frans Bromet portrays six influences who encounter violence while carrying out their work. The violence with which the actual consequences are, leaves personal physical, especially mental, traces.

In a dystopian 2054, three young rebels go on a journey to find traces of the long lost beauty of nature, hoping to discover what happened to their planet.

The Amsterdam doll shop Colorful Goodies sells Barbies, boy dolls, and cuddly dolls that every child can recognize; from dolls with different skin colors and professions, to dolls with disabilities. This documentary follows three families of color who take home a doll. What does such a doll mean for your self-image if you struggle with it because you are of color, or because you have to learn to live with albinism? Is our dominant white society as tolerant as we think?

Frans Bromet ends up in the Reade rehabilitation clinic in Amsterdam after a brain haemorrhage. He soon picks up his camera and films his roommates and healthcare staff. Frans discovers how important intensive guidance is. But the bond with his fellow sufferers is also greater than expected. When he hears of upcoming budget cuts, his concerns grow about the future of the institution and therefore also about the rehabilitation process of the clients.

Kees suffers from Parkinson's disease. This puts pressure on his relationship with his beloved Carmen. If a cure is not forthcoming, an almost inhuman, devilish dilemma presents itself.

Frans Bromet goes in search of his family history and discovers that Hermanus Bromet was a well-known slave trader in Suriname. Should he feel guilty for what his ancestor did? How do you deal with a burdened family past?

La película es un intenso 'thriller' basada en hechos reales, que se centra en uno de los juicios más largos en la historia del derecho penal holandés: El caso del asesinato Deventer, conocido en los Países Bajos por ser uno de los primeros casos en los que los medios de comunicación jugaron un papel decisivo en la creación de la opinión pública ante un juicio.

The 1960s, Netherlands. Thomas doesn’t realise it yet, but he has special powers. The nine-year-old sees things others cannot. He lives in a strict, religious family where his father, quick to cite the word of God, often resorts to violence. As a sense of injustice grows within him and a longing for freedom takes hold, Thomas begins writing his Book on Everything. In it, he wishes for his father’s punishment and encounters a host of unusual characters: Jesus Christ, a levitating lady with a piano-loving cat, tropical fish swimming in city canals, a young peg-legged witch living next door, and many others.

In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?

Shot in continuous takes with no VFX, #eyewitness follows a man who accidentally captures a crime (and its aftermath) with his phone camera.

The opening of the Picasso-National Museum in Paris granted a unique chance for Didier Baussy to document the precious collection in the museum in 81-minutes of film. The museum shows paintings held back by Picasso himself which have been very valuable for his connection to the world and his memories. A sensitive Analysis of these pictures dominantly from the Guernica-phase, grant a deep insight into the history of this artist and man Picasso, a geographical location of the scenes and a glimpse of his sources of inspiration.

Piet is gone tells the story of Piet Beentjes, who went missing on the isle of Texel in 1987. For 30 years, Toos Beentjes has desperately tried to uncover the truth behind the mysterious disappearance of her homosexual brother. In vain. The police saw no reason to investigate the case: 'Eventually, he’ll wash up. And if not, the tourists will find him.' The film is not a quest for Piet Beentjes, but tells the story of what happened before and after the disappearance. About the Kafkaesque world Toos entered after her brother disappeared. A world of routine, lackadaisical interest and a lame police investigation.

Young people who have to survive without a home base are helped on their way to a life on their own two feet at Wonen Met Kansen. Little by little, with trial and error, but with the rock-solid confidence that the supervisors have in them.

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.

Three young people look back on their plague past and the dark valley in which they ended up. They dare to talk openly about how they found the resilience to turn their lives around.