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In May 1940, feeling the RAF needs every man to fight to Luftwaffe, Geoffrey 'Boy' Wellum joins at 18, becoming the youngest ever Spitfire pilot. After an intense training, he soon bonds with the flying men of his squadron. In the air, danger is great, but on the ground drinks, sports and girls, in Geoff's case Sarah, provide great comfort. However in time, the casualties exact a grueling psychological toll, until his tour of duty is ended after 18 months.
Thirty-six layers of water aligned to create a perfect circle. 1 of 2
For centuries, the United States government has taken Native American children away from their tribes, devastating parents and denying children their traditions, culture, and identity. First Light documents these practices from the 1800s to today, and tells the story of an unprecedented experiment in truth-telling and healing for Wabanaki people and child welfare workers in Maine.
The south wind stirred the dawn. I got up before them to film them.
Filmed through mist directly into the sun at dawn just after sunrise on a winters morning in 2018. The film is a reflection on light, duration and visual transformation. Filmed hand held in a continuous take at a constant aperture, trees very gradually appear out of the mist with their distorted long shadows typical of the first light of day. Unpredictable and chance elements were involved throughout the filming process.
Rising from the sea monster of death, a young woman’s ghost leads her griev- ing sister through the heart of darkness in search of light.
Daniela lives in a city that is always building, moving, climbing. As a humble employee and resident of the city, she never knows where her house will be taken next but when she opens her door one evening to find her house gone, she must follow a journey that leads to parts of the city she is never known before. Her search will shed new light on the place she calls home; her view of the city will be changed forever.
An abstract interpretation of the history of humanity.
My uncle and his family live in Germany. Their temperature-controlled home is filled with foreign plants, disintegrating photographs, handwritten letters, surveillance cameras, scanners and music. From Berlin, he watches the sun rise every night in his hometown in Vietnam where his mother sleeps.
Eleven på en High School, Alex Lainey, har upptäckt ett mystiskt ljussken över hennes lilla stad. Snart börjar hon utveckla hon farliga och övernaturliga egenskaper. Hon vänder sig till sin barndomskamrat Sean Terrel med sitt problem. Myndigheterna upptäcker dem och en jakt startar där tjänstemän försöker hitta orsaken till Alex förvandling.
editing experiments with a light source. my first experience with editing. originally made in march 2023
Ami, haunted by recurring apparitions, embarks on a journey from Singapore to Japan in search of her missing mother. Amidst the transforming landscapes, Ami's dreams, hauntings and lost mother unveil their true form.
A collaboration between Apichatpong and Japanese composer Ryuichi Sakamoto from his album “async”. The people falling asleep in this film are all his friends, he sent cameras to friends and asked them to shoot. Apichatpong often carries Digital Harinezumi camera with him, and completing a lot of works with this camera. This work was first exhibited at the WATARI Museum of Contemporary Art in Tokyo (Japan, 2017).
‘These partnerships are forged from the elements, the cold nights and first lights.’ Tim Howell and Ewa Kalisiewicz are husband-and-wife alpinists, climbers, skiers and BASE jumpers. Cold Night, First Light is a story of trust, honesty, resilience and fellowship.
Toronto’s town square is flooded. The city’s infrastructure has merged with local flora. In this radically different future, people have found a connection to the past.
Marco, a cynical and ambitious young lawyer, lives in Bari with his partner Martina and their eight-year-old son Mateo. Martina had left Chile and moved to Italy when she met Marco. Their relationship has run its course, however, and Martina longs to go back to her country with Mateo, but Marco, the loving father left out of the equation, is adamantly against the idea. The couple clash for weeks on end, until Martina abruptly leaves the country with their son, goes back to Chile and virtually vanishes. With no news of Mateo, time seems to stand still for Marco. Anguished and unable to cope, he finally rallies and sets off in search of his son.
A world first and world record, this DVD was recorded on the Friday night of the Marillion Weekend 2003, mixed live, and available on the following Sunday, less than 2 days later! The DVD features a complete performance of the 'Afraid of Sunlight' album, plus the encores of the show (featuring the then-unreleased Marillion song 'Faith'). As a special bonus, all audience members are listed in the DVD credits.
I First Saw the Light channels the vestige of Joseph Carey Merrick’s surviving output. Better known as The Elephant Man, he produced a little noticed two-page autobiography, sold to those attending a freak show in which he was displayed, opposite the royal London hospital in London's Whitechapel High Street. There is one surviving copy of the pamphlet. Its text is coupled with starkly filmed sequences of a model church he also constructed, now hermetically sealed within a glass and ebony container, together forming the basis for this poignant, silent film. A reminder of Merrick’s profound humanity in the face of extreme adversity, it also serves as an auto-biographical footnote and reminder of David Lynch’s eponymous feature film on Merrick, in which the model is a central motif and metaphor for his psychological and emotional fluctuations.
Light is the first bodily form pays homage to the philosopher of light, Robert Grosseteste. The title is intended to be somewhat tongue-in-cheek since this video was made entirely in the dark, using only a circuit bent Webcam. No additional computer effects were added to the video. The music is the song “Rain Serenade” by Natural Snow Buildings.
Follows an unnamed protagonist as he returns to his childhood home following the tragic death of his brother. He struggles with loss as fall gives way to winter and he reluctantly assumes responsibility for the dying family farm where his mother and sister still live. This quiet and intimate work draws the viewer into a meditative rural space as the man attempts to reconcile his past and present.