Noir thriller about a criminal seeking redemption by tracking down the daughter of the woman he killed. Along the way he is haunted by his guilt in the guise of the woman's ghost.

A documentary of the process behind installing the Marker of Change Women's Monument in Downtown Vancouver.

Community leaders set out to create a Historical Monument acknowledging the WWII Internment Camp in Santa Fe, New Mexico but find themselves embattled in fierce opposition by local veterans and their descendants.

Early 1950s newsreel laboratory marker films used for indicating effects like wipes, dissolves and fade-outs in the work print, now freed from their utilitarian practice into a fantasy realm.

Starting as an old-school sleuth story, young Noreen begins investigating the suspicious circumstances surrounding her father's death, uncovering a shocking and sinister conspiracy that has been wreaking havoc in her hometown for years.

In his mid-80s, legendary filmmaker Chris Marker became obsessed with the multiplayer online video game, Second Life. Inspired by the novel, The Invention of Morel by Adolfo Bioy Casares, Marker dreamed of uploading his soul to Second Life. This is a film about those dreams and their failure.

A desktop documentary about the online afterlife of the late French filmmaker, Chris Marker.

"If Isaki Lacuesta wants to use some of my footage, that's ok by me, at the end of the day, I have spent my life copying others" (Chris Marker). An act of cinematic love for the director of La Jetée. "To shoot under the pseudonym Chris Marker, you need to fulfill a few requirements, some very strange. The Markers are a secret sect who meet up only once a year... And cameras are forbidden at the meeting".

Big Steve Halloway, gambler and proprietor of New York's Horseshoe Cabaret, is in desperate need of money. He arranges for his fellow bookies, especially Sorrowful Jones, to each pay him $1,000 for his racehorse, Dream Prince, to lose. With all bets being placed at the window, Sorrowful encounters a gambler, having lost $500, wanting to place his bet but unable to come up with $20. Instead, he places his little girl, Marthy Jane, as security, or in bookie's terms a "marker". "Marky", as she comes to be known, winds up under the care of Sorrowful Jones and his lady friend, singer Bangles Carson.

Remake of Chris Marker's film "Chat écoutant la musique", set to the music "My Little Brown Book" by Duke Ellington and John Coltrane.

Feature film made by students of the 2020 course of the Realization 4 chair (DAA/FDA/UNLP) during confinement due to Covid-19 and with the support of the PAR Program (UNLP). It consists of a series of still image stories inspired by the famous short fiction film “La Jeteé”, made by Marker in 1962.

Inspired by Chris Marker's Bestiary. The short film is divided into three parts, each one will deal with the inner world of specific animals through a specific theme, and together they will give us a common vision of their inner life. The different pieces show specific situations: in the first the gestures of an animal, in the second different realities of some animals and the third an animal listening to music.

This work arises from the random encounter of two titles having a tie in the 50th place on the Sight & Sound list in 2012, curiously enough, when considering a dialogue between these two films, we see how cinema can generate its own ghosts: in both films the dead and the living coexist; in La Jeteé thanks to time (insubordinate of movement) and in Ugetsu Monogatari thanks to movement (a panoramic view within a sequence shot, which refers to a deceptive narrative continuity). What would happen if we stripped both films of their construction?

A shameless video montage that investigates Chris Marker's cinema and personality through other visual documents.

Two friends (and legendary French New Wave filmmakers) meet in real and virtual worlds.

This silent film shows the jury voting for Chris Marker, who receives the Louis Lumière award for his film ¡Cuba sí!

Farrebique, the first feature-length effort of French documentary filmmaker Georges Rouqier, is widely regarded as his finest film. Rouqier concentrates on a single French farm family, following them through the four seasons. As in the works of Robert Flaherty, the human characters and the land surrounding them are "one", and Rouqier never misses an opportunity to parallel their lives with the eons-old phases of nature. The final symbolic images of Spring, achieved through time-lapse photography, are almost unbearably beautiful. The winner of several festival awards, Farrebique nonetheless did not immediately result in an outpouring of financing for Rouqier's follow-up films (this was a common problem in the financially strapped French film industry of the 1940s). Perhaps as a result, Rouqier did not make his sequel, Biquefarre (filmed in the same region, with some of the same "actors"), until 1983.

A nerdy school kid is looking for a job in the newspapers.

Cacciato dai reparti speciali per i suoi metodi non proprio ortodossi, l´ex agente Matt (Steven Seagal) si ritrova senza lavoro, sommerso dai debiti di gioco e con un rapporto incrinato con la figlia (Lydia Jordan) e la ex-moglie (Blanchard Ryan) a causa di tutto cio'. Ma un uomo misterioso sta per fargli un´offerta che non puo' rifiutare: se vuole riscattare i suoi debiti e riavere la vita di un tempo, dovra' portare a termine una missione al limite dell´impossibile...