Dennis knows he's on to a story when he learns that residents of The Latitude Lofts, a building owned and occupied by an artists' co-operative, are afflicted by fibromyalgia. But his probing is met with resistance - from the co-op members who have already sunk their savings into the building; and from his new senior producer, Kennedy Marsh, who considers the premise as dated as the ""yuppie flu"". Kennedy's criticism further incites Dennis, who is already upset that he was passed over for the senior position in favour of this young upstart - a ""virtual VJ"" - from a popular tabloid show.

There's a mess of personal and professional tension when a young boss, Kennedy Marsh, is brought in to jazz up the show, do snappier stories and attract a younger audience. She used to produce a tabloid-TV program and everybody is suspicious and resentful of her. The thing is, Kennedy Marsh is a tall, blond drink of water and there is quiet, almost-sexual tension between her and the dead-serious Dennis.

""A Honduran translator disappears when she's suspected of being Dennis' source for bribery allegations against a Canadian firm and a corrupt Honduran bureaucrat.""

Isobel suspects that philanthropist and self-proclaimed draft dodger Jefferson Grant may have actually been involved in a civilian massacre in a tiny Vietnamese village.

Dennis investigates the Draconian drug laws threatening the future of a marijuana fugitive.

Isobel gets entangled with victims of an unethical doctor in her expose of an in-vitro clinic; Kennedy sends Dennis to Halifax to find a baby girl cloned by a bizarre cult group.

Dennis investigates the motives of a well-to-do housewife who returns home after vanishing without a trace five days earlier.

Isobel profiles a profiler with a vicious speech impediment. A stubborn Kennedy refuses to beg Megan to come back to The Eleventh Hour.

New Eleventh Hour producer Henry Shelley makes his debut tracking the murder of a rent boy (male prostitute).

What was his relationship with a Member of Parliament? Was he killed for love or money? Kamal considers war corresponding to boost his profile.

Isobel gets romantically entangled with the police sergeant hosting her ride-along piece. When her investigation into a serial rapist runs up against the cops', she decides to hold her story one night, with disastrous consequences.

Megan's conflict of interest lands the whole Eleventh Hour in hot water when she catches a domestic-goddess CEO with her hand in the corporate cookie jar. Kamal is shadowed by a sharp-eyed student reporter.

Henry's journalistic instincts – and marriage – are strained to the limit while profiling a quadriplegic, his faith healer, and a wife who suspects abuse.

Kamal and James join fellow reporters for conflict training at an army base, but when a hostile sergeant pushes their war games too far. Kamal's digging unearths a story more explosive than anything in the field. Back at the office, Kennedy and her team get confessional during a productivity workshop.