An in-depth look at the historical accuracy of the series and its portrayal of Rome's religious practices, women, brutality, slaves, citizenry, culture, and political turmoil.

A clip-heavy EPK that introduces and examines the many characters of Rome. It's heavy on plot synopsis and base analysis, but makes succinct work of the first season's themes, heroes, soldiers, women, and storylines.

Entire documentaries aren't usually devoted to a single scene, but when it involves as much spectacle and psychological nuance as Caesar's turning point, it certainly deserves it. Key members of the cast and crew offer their thoughts on director Alan Taylor's contributions, the tone of the sequence, the framing of several shots, and the planning that went into making it the successful scene it is.

Another thorough "Shot × Shot" documentary focuses on a tricky gladiator battle, the weapons and armor crafted for the sequence, the composition of its shots, the scope of the sets, and the production team's practical and CG effects.

753 BC, the date historians traditionally assign to the founding of Rome, is at the heart of this historical documentary. Stamp discusses the origin of the city's rivalries, the dangers faced by its citizenry, the empire's revolving-door of power, early clashes between the Jews and the Romans, and the vulgarity, brutality, and graffiti that filled the streets.

This second season doc focuses on the differences between Rome's seasons, the series' new characters, and the expanding scope of the show.

Stamp helms yet another historical overview, this one focused on Octavian, that mixes fact with production details to create an absorbing documentary.

A short but satisfying look at history's so-called greatest love story, the series' approach to Antony and Cleopatra's relationship, and the manner in which the creators worked to pay respect to the historical figures.

This special promo includes clips, interviews and behind-the-scenes footage that provide an insider's view of the process of making the series.

Things pick up shortly after Caesar's murder. Octavian wants to keep his family from fleeing the city so he devises a plan. News of this makes Antony happy so he tells Brutus. Vorenus mourns Niobe's death but casts aspersions upon his children.

Cleopatra arrives in Rome to pay her homage to Caesar, and to seek legitimization for Caesarion. Egypt's queen causes further complications between Anthony and Atia, who still struggles with Servilia. Timon's brother arrives from Jerusalem. The death of Erastes throws the underworld, and Rome's river commerce into chaos, and Pullo and Vorenus step into the gap. Octavian and Anthony begin a long and bitter rivalry with a dispute over Caesar's will and sharing of power.

Brutus and Cassius struggle to raise foreign armies to oppose the Cesarean party. Mark Antony's plans to change his post-consul proconsular governorship from Macedonia to Gaul are derailed when Cicero delivers an in-absentia message to the Senate, and throws his support behind Octavian. Vorenus struggles to contain an all-out gang war in the Aventine Collegium, of his own making,that he blames on Pullo. In the house of the Julii, Octavia passes the hours in a drug induced daze, while a duplicitous youth named Duro, planted amongst the Julii by Servilia, looks for the chance to set a deadly plan in motion.

Pullo races to find Vorenus with news of his family's fate. Servilia's plans to eliminate a rival exact a high price from her. Cicero is astonished when Octavian sends word that his victorious legions are coming home to Rome. In Rome, Timon finally grows weary of Atia's bidding.

Despite Pullo's advice, Vorenus and his family return to the Collegium with his family who is reunited, and cleansed of their ordeal. Octavian is denied a triumph and urges Cicero to endorse his bid to be made Consul in exchange for an agreement to allow Cicero to veto his actions. Octavian takes both Cicero and the Senate by surprise with his first Consular act. Vorenus attempts' to make peace with Memmio and Cotta create suspicions that he has gone soft.

Vorenus receives orders to plunge Rome into a bloodbath the likes that have not been seen since the dictatorship of Sulla. Octavia reveals her secret to Atia, and the armies of the Liberators and the Caesarians clash for the last time, with the fate of Republic in the balance.

Antony's nature reasserts itself, and challenges his alliance with Octavian. Timon and Levi set themselves against Herod's plans. Servilia's public displays of grief leave Atia unsettled. Gaia uses Pullo's punishment as a weapon against him. His daughter's sudden interest in business matters arouses Vorenus' suspicions. Posca gets married.

Octavian proclaims a new era of virtue in Rome, a program that his family and subordinates find impossible to obey. Vorenus is sent on a mission after a missing shipment of gold to discover who mysteriously hijacked it on its way to the Roman treasury. Pullo's loss and rage are channeled against Memmio, Omnipor and their henchmen. Octavian pursues Livia as an "appropriate" bride, and issues Mark Antony an ultimatum he knows he can't refuse.

The people of Rome are starving. There have been many grain shortages over the past few months, but things have gotten particularly bad. In hopes of keeping the people from openly rebelling, Octavian sends Atia and Octavia to Alexandria in order to negotiate a deal with Mark Antony, though his real reasons for their trip is soon revealed. Meanwhile, Titus Pullo and Lucius Vorenus must try to keep the peace amongst many of the mercenaries who are in Rome.

Following his naval defeat at Actium, Marc Antony returns to Egypt, where he and Cleopatra settle into a world of debauchery. Octavian tries to use Pullo as leverage to Vorenus to gain acess to the palace, but Vorenus stays loyal to Antony. Finally, it is Cleopatra who dupes Antony, saving her own life by sacrificing her honor. Ceasar Augustus triumphs in Rome.