Norman Lloyd — Director

Episodes 3

Final Vow

70%
October 25, 19621h
1x6

Sister Pamela suffers a crisis of conscience just as she is about to take her final vows. Is her belief real or is she just hiding from the rest of the world? The sisters in the convent give her time to think everything over by letting her pick up a valuable statue from a reformed gangster. As she is returning, however, the statue is stolen by a young criminal named Jimmy Bresson. In order to get the statue back she leaves the convent and hunts Jimmy down. She arranges to have a date with him to get into his apartment. Unfortunately, she discovers that he has pawned the statue. She takes the pawn ticket and heads for the pawn shop. As she is about to get it back, Jimmy catches her. Jimmy and the dishonest pawn shop owner want to kill Pamela, but they want to have the statue appraised first. They call an appraiser, but it turns out to be the man who originally offered the statue to the convent. He tells them that the statue is worthless and convinces them to let Pamela go. Having confr

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The Jar

53%
February 14, 19641h
2x17

At a carnival sideshow, a farmer named Charlie Hill buys a strange jar, which brings him notoriety and respect in the community because people travel for miles to gather in his parlor and look at the jar and it's obscure content. But his young wife, Thedy Sue, is frightened of it and insists that he throw it out.

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The Life Work of Juan Diaz

70%
October 26, 19641h
3x4

Juan Diaz is dying and penniless. His last wish is that he can provide financial security for his family. About a year later, a gravedigger named Alejandro exhumes Juan's corpse to make room in the cemetery. He has it mummified and sotries it in a crypt with a number of other mummies. Juan wife, Maria, discovers Alejandro plan and steals Juan's body. She hangs it in the house and tells tourists that it is a authentic Mexican mummy. Money from the tourists pays for food and clothing for Maria and her three children. Eventually, however, Maria is overcome by the ghoulishness of what she has done. She begs for forgiveness, but a gleam in the eye of the corpses body reveals that Juan approves of what she has done.

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