Inspired by Hailey's passion, Rodrigo insists that she play with the orchestra, over the objections of Gloria. Veteran maestro Thomas tries to rise above his resentment of Rodrigo, only to face more humiliations. Hailey pays a late night visit to Alex, on the eve of her big day -- the moment she's been waiting for.

Alex helps Hailey figure out an easy way to make money, while back at the symphony hall, an older musician collapses when Rodrigo pushes him too hard. After being humiliated by Rodrigo's assistant, Hailey lets off a lifetime of steam, and is caught off guard when Rodrigo makes her an offer.

Rodrigo seeks guidance to rid himself of his "dreadful passion." With Thomas gone on a sabbatical, Cynthia bonds with Betty. In the middle of Alex's showcase -- an intimate dance with his roommate -- Hailey is summoned by Rodrigo to keep him from seeing Ana Maria. When she heads to Alex's apartment later, Hailey doesn't like what she finds.

As pressure mounts before the launch of the new season, Rodrigo erupts. His behavior alarms the symphony's business advisor, Edward, who warns Gloria to rein him in - just as her star conductor takes the orchestra on a surprise field trip. In the wake of all the drama, Hailey arrives home to find Alex, wondering why she hasn't returned his calls.

When Rodrigo decides he doesn't want Windsor Elliot for his opening night, the legendary pianist confronts him, and ends up helping him realize who he does want. Cynthia is sent to track down Thomas, but isn't quite prepared for what greets her. Hailey gives an intimate oboe lesson to her wealthy new friend, but the session is interrupted by Lizzie, who has some surprising news about her pupil.

Rodrigo summons Hailey to drive him upstate to find Ana Maria, explaining that she "makes him alive," exactly what the symphony needs opening night. Back in the city, Cynthia takes some pills for her wrist, and ends up seeing a co-worker in a whole new light. Hailey finds Alex, ready to feel alive.

After a harsh verdict from Betty, Hailey is ready to give up on her dream. But as the crowd fills the hall for opening night, Betty has gone missing. No one in the orchestra is prepared for what happens next. As their tempestuous new soloist, Ana Maria, goes off the rails, Rodrigo is forced to make a choice.

The New York Symphony Orchestra is midway through their season and on the surface things are going well: audiences are happy and the musicians are playing better than ever. But offstage, things are beginning to unravel.

A near disaster during a live performance forces Rodrigo to make some changes in how he conducts not only himself, but his orchestra. Gloria extends an unusual invitation to Hailey. But, as the young oboist will soon find out, there is no such thing as free dinner.

After one drum circle too many, Rodrigo is evicted from his apartment -- though it doesn't take him long to find a new roommate. Hailey and Lizzie help Bradford record his podcast about a famed building for artists. Hailey thinks about her future as one of the tenants recounts some famous performances. The threat of a strike causes some musicians to feel the heat.

The gang celebrates Betty's 35 years in the orchestra with some tequila and a special guest. Hailey breaks the cardinal rule of touring: what happens on the road, stays on the road. Negotiations hit a wall and the idea of a work stoppage begins to sink in. Rodrigo develops a mysterious ailment, and must adjust his senses while filming for a new Virtual Reality video game.

Thomas shares his symphony with soon-to-be-ex-wife Claire, who finds the music absolutely breathtaking. A funeral becomes the setting of backstage plotting between the orchestra and the board. Rodrigo attempts to let go of something from his past, but she will have nun of it. Hailey goes on a date with a board member and finds out more than she thought she would.

Lennox, a guest "enfant terrible" conductor, brings some anger and fury to the orchestra. Thomas battles his oldest demons and hears the crash of his legacy. Rodrigo does everything in his power to keep the world around him from going out of tune. Nina and Cythia disagree on negotiation tactics. Through the chaos, priorities become clearer. Changes will be made.

Things are about to erupt between the board and the orchestra, and Rodrigo prepares to do whatever it takes. As the tables turn with each double cross, no one is safe. Not even the greatest composers in history. The future is uncertain.

In a last ditch attempt to resolve the lock out, the Mayor calls the orchestra and management to City Hall for mediation. Rodrigo tries to keep Alessandra focused as the pressure mounts and old demons resurface. Hailey gets a surprising visit from Erik.

Rodrigo takes extraordinary measures to bring his orchestra family back together. Hailey reunites with Lizzie and finding her friend totally transformed, realizes she must think seriously about what is next for her.

After a disastrous night at the NY Symphony, Gloria finds herself in a PR whirlwind, having to re-secure a major donor. Rodrigo becomes fascinated with the ballet, while Hailey tries to make some professional connections without his help.

Hailey faces off against new peers at the Fukusoft Conducting Competition in Japan. Rodrigo meets a new composer who claims to know more about Mozart than he does. Gloria tries to eclipse Betty in her fight for Fukumoto's attention, and Thomas is reluctantly reunited with an old flame.

Rodrigo's calls out for Mozart. The conducting competition heats up for Hailey, despite her early success. In their toughest moments, they reach out for each other. Meanwhile, Gloria and Thomas finally have it out over the secrets they've been keeping.

Rodrigo and Hailey return home to find their lives changed. Meanwhile, Gloria and Thomas are back too, but it's business as usual with them as the showdown over Hesby's piece intensifies.

The premiere Hesby's new piece doesn't go exactly as planned. Hailey recommits herself to the music. Cynthia finds solace in her new endeavors. Rodrigo must make a choice about his role in the orchestra.