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October 16, 2023
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"A comprehensive view of the restaurant scene in Paris in the 1970s at all levels with visits to markets and interviews with food writers, chefs, and restaurant owners."
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"In the early 1970s, art historian and curator Stephen Scher turned a camera on the complex ecosystem of Parisian dining. This collage of footage remained perfectly preserved in the can for 50 years; but now, as the filmmaker assembles it into a documentary, we can behold the end of a culinary era."
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{"person_id":57740,"department":"Editing","job":"Editor","cast_id":4,"credit_id":"652de882ea84c7010c1d2aaa"}
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{"person_id":54441,"department":"Production","job":"Executive Producer","cast_id":3,"credit_id":"652de8570cb33516fd4aebba"}
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{"person_id":36967,"department":"Crew","job":"Cinematography","cast_id":2,"credit_id":"652de843ea84c7014e066ec0"}
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{"person_id":4324387,"department":"Directing","job":"Director","cast_id":1,"credit_id":"652de834a8023600fd2c87bd"}
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{"poster":{"file_path":"\/uGxzQKVVxbuhGtZyEUKn41fDeaY.jpg"}}
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"Movie"
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"Released"
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"en-US"
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"A comprehensive view of the restaurant scene in Paris in the 1970s at all levels with visits to markets and interviews with food writers, chefs, and restaurant owners."
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"The Way It Was: Paris Restaurants in the 1970s"
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"Stephen K. Scher"
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false
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December 2, 2021
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155
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"https:\/\/www.amateurcinema.org\/index.php\/film\/tom-jones"
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{"poster":{"file_path":"\/kVHx2NgWCLVSY4i6bjnnDrtrIDl.jpg"}}
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{"person_id":3210252,"department":"Crew","job":"Cinematography","cast_id":7,"credit_id":"61a8f8d3875d1a004317371d"}
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{"person_id":3332842,"department":"Directing","job":"Director","cast_id":6,"credit_id":"61a8f86fbe4b360045d964e5"}
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{"person_id":1092235,"department":"Crew","job":"Title Graphics","cast_id":5,"credit_id":"61a8f81697eab4008f16dd17"}
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{"person_id":45461,"department":"Writing","job":"Novel","cast_id":4,"credit_id":"61a8f7e2383df200647d67b3"}
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{"person_id":3210252,"department":"Writing","job":"Screenplay","cast_id":3,"credit_id":"61a8f7b42495ab0091994845"}
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{"person_id":1092235,"department":"Costume & Make-Up","job":"Costume Design","cast_id":2,"credit_id":"61a8f79505822400912bd9d5"}
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{"person_id":3210252,"character":"Mr. Western","order":1,"cast_id":1,"credit_id":"61a8f75f383df2002c77eede"}
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"Movie"
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"Released"
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"en-US"
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"The first student film made at Yale, and one of the earliest student feature films ever made, this adaptation of Henry Fielding's novel was made in the spring of 1927 by a filmmaking collective called the Purity Players, led by S. W. Childs, Jr."
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"Tom Jones"
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"William Hinkle"
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"William M. Hinkle"
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"en-US"
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"William Hinkle"
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false
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October 8, 2021
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{"poster":{"file_path":"\/1EMUGBoMF7WvtlcOxFGhbMLY77y.jpg","iso_639_1":"bn"}}
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{"poster":{"file_path":"\/1EMUGBoMF7WvtlcOxFGhbMLY77y.jpg","iso_639_1":"en"}}
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{"poster":{"file_path":"\/1EMUGBoMF7WvtlcOxFGhbMLY77y.jpg","iso_639_1":null}}
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{"poster":{"file_path":"\/1EMUGBoMF7WvtlcOxFGhbMLY77y.jpg","iso_639_1":"bn"}}
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{"poster":{"file_path":"\/1EMUGBoMF7WvtlcOxFGhbMLY77y.jpg"}}
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{"poster":{"file_path":"\/pPUaGLTN9gJRP7jgLbmAPCMUJJL.jpg"}}
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{"person_id":3262093,"department":"Directing","job":"Director","cast_id":5,"credit_id":"61607808e004a600864b074f"}
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{"person_id":3262093,"department":"Crew","job":"Cinematography","cast_id":4,"credit_id":"616077fdc8a2d400623c4e15"}
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{"person_id":3262093,"character":"Himself","order":3,"cast_id":3,"credit_id":"6160776350733c0042ee2a39"}
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{"person_id":3262092,"character":"Himself","order":2,"cast_id":2,"credit_id":"61607759b865eb0061c0f379"}
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{"person_id":218769,"character":"Himself","order":1,"cast_id":1,"credit_id":"6160774e4df2910029bfc914"}
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{"iso_3166_1":"US","iso_639_1":"en","release_date":"1973-01-01","certification":"","type":3,"note":""}
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"Movie"
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"Released"
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"en-US"
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"Ruff’s film about the American jazz drummer Tony Williams traveling to Senegal features Super 8 footage of Williams and African drummers, as well as a framing section with Ruff, Williams, and pianist Dwike Mitchell presenting the film on 16mm to local children. (Yale Film Archive)"
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"Tony Williams in Africa"
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October 7, 2021
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{"iso_3166_1":"US","iso_639_1":"en","release_date":"1969-01-01","certification":"","type":3,"note":""}
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"As a senior at Yale College in 1968, Doob was invited to participate in the Scholars of the House Program, a senior honors program that required students to create, in lieu of regular classes, “a finished essay or project which must justify by its scope and quality the freedom which has been granted.” Rather than pursue a more traditional written work, Doob initially chose to make a film, an unorthodox approach that had not been previously attempted. In the end, Doob chose to make two films to fulfill the requirement, beginning with COSTUMED DANCER. The film is a progression of images of a dancer, shot and printed on high contrast stock, and stacked in the printer in a number of layers so as to create multiple images of the dancer, moving from single image to multiple image in a kind of phasing. It is cut to music composed by Doob’s friend David Sewall, who was the subject of one of Doob’s later films, LONDON SONGS (1972)."
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"As a senior at Yale College in 1968, Doob was invited to participate in the Scholars of the House Program, a senior honors program that required students to create, in lieu of regular classes, “a finished essay or project which must justify by its scope and quality the freedom which has been granted.” Rather than pursue a more traditional written work, Doob initially chose to make a film, an unorthodox approach that had not been previously attempted. In the end, Doob chose to make two films to fulfill the requirement, beginning with COSTUMED DANCER. The film is a progression of images of a dancer, shot and printed on high contrast stock, and stacked in the printer in a number of layers so as to create multiple images of the dancer, moving from single image to multiple image in a kind of phasing. It is cut to music composed by Doob’s friend David Sewall, who was the subject of one of Doob’s later films, LONDON SONGS (1972). (Yale Film Archive)"
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{"poster":{"file_path":"\/vas2ze2KCIwUbLH4CUhJE53idY6.jpg"}}
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{"person_id":3262174,"department":"Sound","job":"Music","cast_id":2,"credit_id":"615f51d369eb900061e04f37"}
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{"person_id":932222,"department":"Directing","job":"Director","cast_id":1,"credit_id":"615f51bbabdec0006381e8d1"}
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"tt9390372"
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"Movie"
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"Released"
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"en-US"
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"As a senior at Yale College in 1968, Doob was invited to participate in the Scholars of the House Program, a senior honors program that required students to create, in lieu of regular classes, “a finished essay or project which must justify by its scope and quality the freedom which has been granted.” Rather than pursue a more traditional written work, Doob initially chose to make a film, an unorthodox approach that had not been previously attempted. In the end, Doob chose to make two films to fulfill the requirement, beginning with COSTUMED DANCER. The film is a progression of images of a dancer, shot and printed on high contrast stock, and stacked in the printer in a number of layers so as to create multiple images of the dancer, moving from single image to multiple image in a kind of phasing. It is cut to music composed by Doob’s friend David Sewall, who was the subject of one of Doob’s later films, LONDON SONGS (1972)."
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"Costumed Dancer"
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{"iso_3166_1":"US","iso_639_1":"en","release_date":"1969-01-01","certification":"","type":3,"note":""}
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"Doob’s first longer film begins with a shot of the sun setting over the Hudson River in New York City, and goes on to examine the nighttime street life found in the block of 42nd Street between Seventh and Eighth Avenues. As Doob describes it, “That block was fairly notorious at that time, with pornographic bookstores and theaters, peep-shows, and prostitution. It was also a kind of magnet for exotic personalities, and a visually interesting location.” The film showed at many film festivals, won a prize at the West German Short Film Festival in Oberhausen, and was well reviewed in the New York Times. After making this film, and after the experience of taking Murray Lerner’s filmmaking class at Yale, Doob worked as Lerner’s cinematographer on a number of films, including his 1979 Academy Award-winning documentary FROM MAO TO MOZART."
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"Doob’s first longer film begins with a shot of the sun setting over the Hudson River in New York City, and goes on to examine the nighttime street life found in the block of 42nd Street between Seventh and Eighth Avenues. As Doob describes it, “That block was fairly notorious at that time, with pornographic bookstores and theaters, peep-shows, and prostitution. It was also a kind of magnet for exotic personalities, and a visually interesting location.” The film showed at many film festivals, won a prize at the West German Short Film Festival in Oberhausen, and was well reviewed in the New York Times. After making this film, and after the experience of taking Murray Lerner’s filmmaking class at Yale, Doob worked as Lerner’s cinematographer on a number of films, including his 1979 Academy Award-winning documentary FROM MAO TO MOZART. (Yale Film Archive)"
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{"poster":{"file_path":"\/rrbhLAuHwDoLEVsHGra9TNHhqTL.jpg"}}
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{"person_id":932222,"department":"Crew","job":"Cinematography","cast_id":2,"credit_id":"615f4e4d4df291004382d0f3"}
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{"person_id":932222,"department":"Directing","job":"Director","cast_id":1,"credit_id":"615f4e426350130043d69a9d"}
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"tt9390382"
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"Movie"
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"Released"
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"en-US"
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"Doob’s first longer film begins with a shot of the sun setting over the Hudson River in New York City, and goes on to examine the nighttime street life found in the block of 42nd Street between Seventh and Eighth Avenues. As Doob describes it, “That block was fairly notorious at that time, with pornographic bookstores and theaters, peep-shows, and prostitution. It was also a kind of magnet for exotic personalities, and a visually interesting location.” The film showed at many film festivals, won a prize at the West German Short Film Festival in Oberhausen, and was well reviewed in the New York Times. After making this film, and after the experience of taking Murray Lerner’s filmmaking class at Yale, Doob worked as Lerner’s cinematographer on a number of films, including his 1979 Academy Award-winning documentary FROM MAO TO MOZART."
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"42nd St Movie"
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{"iso_3166_1":"US","iso_639_1":"","release_date":"1979-01-01","certification":"","type":3,"note":""}
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"David Sewall"
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false
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{"person_id":2754707,"department":"Directing","job":"Director","cast_id":1,"credit_id":"615f48873e2ec80063f5705b"}
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{"job":"Director","department":"Directing","person_id":2195520,"cast_id":1,"credit_id":"615f4857180dea002bc18fc0"}
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