Hired at a slaughterhouse thanks to a social reinsertion program, an ex-convict struggles to find another job while repressing the violence that boils within him.

A bar and a slaughterhouse next to a road in the middle of nowhere. It is barely a month since Edu went to live there with Manolo, the owner. Edu tries to adapt to his new life but there is something that keeps him awake all night long.

Behind The Jugular is a short animated documentary, featuring an ex-abattoir worker describing his experiences within the slaughterhouse. The film gives a raw account of the restricted and often ignored industry, intended to prompt the audience to consider, and reconsider, their ethical beliefs and values, and how they implement these morals in life.

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure.

Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.

ICE conducted the largest immigration raids in US history at slaughterhouses in 2019, arresting and deporting undocumented workers. Despite the danger to herself and her family, former slaughterhouse worker Susana returns to the scene at night to care for animals on their way to the kill floor.

Rumored to be haunted, five teens take shelter in an abandoned slaughterhouse, only to discover this place is home to much darker forces.

A Cow at My Table explores Western attitudes towards farm animals and meat, and the intense battle between animal advocates and the meat industry to influence the consumer's mind. Five years in production took Director Jennifer Abbott across Canada, the US, Australia and New Zealand to meet with the leaders of the animal rights movement, animal welfare advocates as well as spokespeople from livestock industries. A Cow at My Table inter-cuts these diverse perspectives with archival films, images from modern-day agribusiness and footage of farm animals shot from uncharacteristic vantage points.

An evil football player terrorizes a group of nerds in this bloody throwback to 80's slasher flicks.

Documentary about a slaughterhouse in Quito, where hundreds of people and entire families work everyday. The smell of the place is warm and penetrating, the noise is intense, everything is red. Would that much effort and death have an ulterior purpose?

Dan Hurley wants to sell wild horses and is trying to get the Wild Game Laws that protect them changed. To get his petition signed, his henchman paints his trained horse to look like the wild horse leader and has it kill a man. Johnny Revere finds traces of paint on a horse and tries to arrest Hurley and his men. But he is captured by the gang and is now slated to be the next victim of the trained horse.

Jean-Louis Le Tacon finds Maxime Duchemin in the ruins of his pig farm, devoured by brambles and nettles. Twenty years later, what has become of his life?

Daniel is a hitchhiker who arrives at a slaughterhouse for some temporary work, the owner of the slaughterhouse Gunnar decides to kill Daniel when he realises he is having an affair with his wife.

Marty Sickle was accused of murdering a young girl inside the slaughterhouse where he lived. Soon after, four college kids brutally hanged Marty in revenge. Legend has it that every year on the anniversary of his death, Marty comes back to kill anyone who sets foot in his slaughterhouse.

An Indian mystic uses magical chants to raise women from the dead, then sends them out to perform revenge killings for him.

Η Φέιθ είναι μια νεαρή κοπέλα που μετακομίζει στην Ατλάντα. Εκεί γνωρίζεται με τη Λόλα, μια κοπέλα που ζει σε μια αγροτική φάρμα με την περίεργη οικογένειά της και πείθεται να μετακομίσει με τη Λόλα στο αγροτόσπιτο της φάρμας. Κάθε βράδυ τα κορίτσια βγαίνουν έξω για να διασκεδάσουν και κάθε βράδυ η Λόλα επιστρέφει με διαφορετικό σύντροφο στο σπίτι. Αλλά όταν όλοι οι άνδρες που έχουν έρθει στο σπίτι αρχίζουν να αγνοούνται, η Φέιθ αρχίζει να υποψιάζεται ότι η οικογένεια της Λόλα σκοτώνει τους συντρόφους της και αρχίζει να αναζητά στοιχεία. Όμως η αναζήτησή της θα την οδηγήσει σε αποκαλύψεις που ποτέ δεν ήθελε να μάθει...

There are victims that arrive by night. They intuit, unaware of the danger that awaits them. They may attempt to resist, but a young man leads them to their deaths before dawn. A dog is the only witness of this terrifying world that seems certain never to end.

Ένας ιδιοκτήτης ενός κλειστού σφαγείου απορρίπτει μια προσφορά για να πουλήσει την ιδιοκτησία του. Όμως νιώθει πως απειλείται, οπού στέλνει τον διανοητικά καθυστερημένο γιο του να σκοτώσει όσους θέλουν να πάρουν την περιούσια του.

A documentary by two desperate young filmmakers who stumble upon the ultimate subject, a 33 year old cannibalistic serial killer named Anthony McAllister

Δυο φίλοι, ο Έρικ και ο Ντιν, λίγο πριν υπηρετήσουν στον πόλεμο του Βιετνάμ, θα κάνουν μια εκδρομή με το αυτοκίνητο έχοντας μαζί τους τις κοπέλες τους Κρίσι και Μπέιλι. Κατά τη διάρκεια του ταξιδιού θα έχουν ένα μικρό ατύχημα και στην προσπάθειά τους να βρουν βοήθεια θα βρεθούν σε ένα στοιχειωμένο σπίτι, όπου θα έρθουν αντιμέτωποι με έναν νεαρό, κατά συρροή δολοφόνο, στα πρώτα του βήματα.

Κατά τη διάρκεια ενός ταξιδιού από το Τέξας στο Μεξικό, μια ομάδα νέων παραλαμβάνει έναν αιματηρό ποδοσφαιριστή ο οποίος ισχυρίζεται ότι είναι ο μόνος επιζήσας μιας σφαγής που συνέβη το βράδυ πριν σε ένα κοντινό σπίτι. Ξανασκεφτείτε το κλασικό με το ίδιο όνομα από τον Tobe Hooper (1974).