A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.
"INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain the lost-eye consciousness." - Jonas Mekas
Tips of feet walking at the edge of frame, all around the frame.
"Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall."
A smile gradually fades into a neutral facial expression.
Close-ups of two faces, shouting at each other.
Begins with a shot of a demarcation line on an asphalt tennis court. A hand points to the distant landscape, then numbers 408 and 409 appear on a female torso.
This feature-length documentary chronicles the life and playful methods of Dutch pianist and composer Misha Mengelberg, a significant figure in post-WWII European Jazz and free improvisation. Archival footage, rehearsal / performance sequences and interviews with both Mengelberg (the "godfather of Dutch improvised music") and key collaborators provide a clear insight in Mengelberg's original way of thinking and way of working.
Seeing, Hearing, Saying Nothing. Ben stands with ears, eyes, mouth bandaged.
Single frame exposures of dot-screens.
Prestype on clear film measuring tape, 10ft. length. No camera. At the end of every foot of film numbers appear, 1, 2, etc to 10
Single frame exposures, color. Different image each frame, various items in the room, etc.
Artype patterns, intended for loops. Benday dot patterns. Dots, lines. Screens, wavy lines, parallel lines, etc. on clear film. No camera.
Word & number gag, no camera.
Features entrance and exit door signs, fading through black and white.
Various gestures of hand held razorblade, single frame exposures.
Sitting on a promenade in nice with a sign: Watch me, that’s all.