Laser’s hallucinatory investigative report explores Paris’s Pitié-Salpêtrière Hospital, widely considered the birthplace of modern psychology and neurology. Interviews with doctors, historians, clergy, and dance therapists reveal uncanny connections between the emergence of “hysteria” in 19th-century Paris and recent outbreaks of so-called TikTok tics.
The Tender Skin, a struggling writer-turned-bartender grapples with longing and regret when a chance encounter reignites buried feelings at an art gallery.
Alison Watt became the National Gallery's Seventh Associate Artist in 2006. This art film records her two-year residency, as she created paintings inspired by masterpieces in the National Gallery. She already had a lifelong attachment to paintings in the collection, yet the prolonged contact, particularly with Saint Francis in Meditation by Francisco de Zurbarán, led her to notice new details and unexpected nuances which influenced her own art. Through a series of interviews with Watt, this art film documents the formation of this exhibition, with particular emphasis on the creative process.
Cheng, an ambassador of Peranakan Culture in Singapore discovers a painting that propels him to leave Singapore.
Short animated film about Blanca, who tries to fathom art. When a painting makes her laugh out loud, her father reprimands her: "It is not funny, it is Art", he says. Blanca feels it is quite complicated. So when is something art? How do you have to look at it? And is it allowed to touch art, for example? When she fails to figure it out, she decides to imitate museum visitors. With great consequences.
Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.
Still life #02 forma parte de una investigación más amplia sobre nuestra relación con las imágenes y su inmaterialidad. Nace del deseo de tocar lo intangible, la imagen digital. Logra corporeizar el pixel y esculpirlo con cincel. Explorar su fisicidad mediante su intervención directa. La imagen, lo incorpóreo, muere cuando se destruye la materia, por lo que la naturaleza y composición de los materiales utilizados en cada pieza de la serie funcionan como una condición temporal. Mediante una suerte de acto iconoclasta, la película reflexiona sobre la afectación que nos puede generar la intervención de algo que no existe en términos físicos. Sirviéndose, como dice Dreyer, de lo inagotable del rostro, una tierra que jamás puede ser suficientemente explorada.
Un recorrido por cuatrocientas pinturas, todas obras maestras, de las más de nueve mil que atesora el Museo del Prado de Madrid, España.
In 1983, Franz Paludetto acquired Rivara Castle at the foot of the Italian Alps. A century earlier, artists from all over Europe had gathered here to establish the Rivara School of Painting. We witness the story of Italy during the latter half of the 20th century.
A woman goes through a series of daydreams in her car while encountering a familiar face.
An oral history of Artists Space, the legendary New York artists organization. Told through the voices of the artists, critics and curators who formed it, the film is narrated by voiceover culled from 30 hours of archival cassette tape interviews over a 45 year period. Artists such as Laurie Anderson, Mike Kelley, Hito Steyerl and David Wojnarowicz walk us through the decades. A formally-experimental and raucously-told chronology composed of rare archival documentation, The Business of Thought... is a reminder of the radical potential of the arts and the importance of collective, cultural spaces.
In 1976, the Tate Gallery exhibited an experimental artwork that became a national sensation - Carl Andre's Equivalent VIII, or, to its detractors, 120 bricks laid on the floor. This documentary explores the origins of Andre's work and the extraordinary fallout from its exhibition.
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
Una mirada satírica al mundo del arte contemporáneo y las ventas de arte.
"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González
Con el corazón roto, Matthew, un curador de arte estadounidense, deambula soñando despierto a través de un laberinto de obras de arte en su hotel en Tokio. Hasta que tiene un encuentro surrealista.
Documentary tour of the "Rembrandt: Late Works" exhibit at the National Gallery, London and subsequently at the Rijksmuseum, Amsterdam.
Arthur Egeli directs this multifaceted romance set on the beaches of Cape Cod, the story of young painter Steven Buchanan (Pablo Bryant) and his interactions with three beautiful women vying to be his muse. There's Melissa (Isabelle Dahlin), the student who admires him; Theresa (Jessica Brytn Flannery), the model who inspires him; and Mary (Aleksandra Kaniak), the fellow artist who transforms him.
Elmyr de Hory was called "The Myth of our Century" when he was revealed as a master forger in 1968. Born in 1905, he made an estimated 1000 fake paintings, primarily in the style of the post-impressionists before he died - or disappeared - in 1976. In addition to faking paintings, Elmyr de Hory often faked his own identity, and traveled easily throughout Europe's high society.