Les meilleurs aviateurs de l'IAF se réunissent face à un danger imminent pour former les Air Dragons. Fighter dévoile sa camaraderie, sa fraternité et ses combats, internes et externes.
Pilote et secouriste au sein de l’Indian Air Force, Veer risque sa vie pour sauver celle des autres. Jusqu’au jour où il porte secours à une jeune fille, Zaara, belle, rebelle, et légèrement inconsciente. Elle a quitté son Pakistan natal afin de venir en Inde accomplir les dernières volontés de sa nourrice. Veer tend la main à Zaara, sans savoir que son destin va en être changé à jamais.
Zooni Ali Beg (Kajol), est une jeune kashemirienne aveugle qui décide, avec l'accord de ses parents, de participer à un voyage qui a pour but de visiter New Delhi, en Inde. Lors de son voyage, elle rencontre Rehan Khan (Aamir Khan), son guide, qui séduit par son charme, son éloquence et sa beauté décide de la courtiser. Zooni en tombe amoureuse. Après quelques péripéties, Zooni apprend que par une chirurgie laser elle pourrait voir, elle apprend la bonne nouvelle à ses parents qui décident de venir. Les parents de Zooni se rendent à l'hôpital, et Zooni ouvre ses yeux pour la première fois, elle voit pour la première fois ses parents. Mais ces derniers ont l'air inquiets, ils pleurent et Zooni comprend cela par de la joie, mais cela va plus loin. De plus Zooni est enceinte de Rehan.
Haider Meer (Shahid Kapoor), un poète, retourne au Cachemire à l'apogée du conflit pour résoudre le mystère entourant la disparition de son père et finit par être entraîné dans la politique étatique.
Rafiq and his family are struggling to come to terms with the loss of his older brother Tauqir, a tourist photographer, who is one of the thousands of young men who have disappeared, since the onset of the militant insurgency in Kashmir. After an unsuccessful attempt to cross the border into Pakistan,to become a militant, Rafiq returns home to an aimless existence. Until one day when he accidentally finds his brother's old camera.
A BSF jawan is held captive in an illegal camp run by Pakistani soldiers. Will he be able to rescue his girlfriend and return to his homeland?
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
The film takes us into the life of a nine- year old girl, who takes respite in drawing despite the fact that to fulfil her little aspirations like going to school, she has to navigate difficult geographical terrains and occasionally a curfew or a crossfire. By zooming into the microcosm of the girl's life, this short film endeavors to portray the larger story of Kashmir and the negotiations the people in any contested territory have to make in order to deal with the fissures in their geographical and personal identities. As a conscious act of resistance against the infidelity of language, there are no dialogues in the film.
The film interweaves the personal narratives of four Kashmiri artists, three of whom - Syed Mujtaba Rizvi, Hina Arif and Zeeshan Jaipuri - are children of the conflict, their impressionable adolescent years years landing right in the middle of the region's most violent period in the 90s. The fourth character, renowned painter and art teacher Masood Hussain, grew up in a time of relative peace before becoming witness to Kashmir's tragic transformation. While their individual traumas are unique, they are connected by their pursuit to process this splintered world through unfiltered artistic expression.