In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.
During the Great Depression, all Broadway shows are closed down. A group of desperate unemployed showgirls find hope when a wealthy songwriter invests in a musical starring them, against the wishes of his high society brother. Thus start Carol, Trixie and Polly's schemes to bilk his money and keep the show going.
A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.
A nightclub dancer makes it big in modeling, leaving her dancer boyfriend behind.
The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.
After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.
Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."
Two golddiggers go fishing for millionaires in Havana.
When a music-hall dancer is murdered, a moss rose marks the page of a Bible next to her body. Luckily, another chorus girl saw a gentleman leaving the lodgings. She approaches him directly, saying she'll go to the police if he doesn't meet her demands, but he brushes her off contemptuously. When he learns she's dead serious, he tries to buy her off with a thick wad of pound notes. But it's not money she's after; all she wants is two weeks at his country estate, living the life of a lady.
A soldier falls for a chorus girl and then experiences trouble when he is posted to the Pacific.
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls in love with wealthy Randy, May fears class differences may lead to misery.
A Hollywood heartthrob helps a small-town girl achieve stardom.
Chorus girl and rich playboy want to marry but he'll lose his fortune unless his trustee approves of his mate. So she goes to work in the trustee's brokerage firm under an assumed name to get on his good side but complications ensue.
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.
A society novelist brings a brash young chorus girl home in order to study her for inspiration for his new novel. His family is distraught, but soon her behavior has forever altered their snobbish ways.
A chorus girl and a heavyweight boxer are paired romantically as a publicity stunt.
Leaving Missouri to find a wealthy husband in New York City, Eadie Chapman becomes a chorus girl and soon entertains at the lavish home of millionaire Frank Cousins. Cousins proposes to Eadie, only to then commit suicide due to bankruptcy. Fellow millionaire T. R. Paige defends Eadie when the police question her for having Cousins' jewelry -- but when she becomes enamored with his son, Tom, Paige declares Eadie a gold digger.
Chorus girl Gloria Carroll inherits one million dollars from Broadway playboy Herbert Dinwiddle. Producer Ned McLane persuades her to advance him the money on a production called "Lucky Legs" that will star her. Unfortunately, the money has "made the rounds" prior to reaching Gloria and several less-than-scrupulous characters set out to separate Gloria from her inheritance.
Karel Novak is an incredibly naive Czech immigrant who is taken under the wing of streetwise New York chorus girl Sylvia. With the help of lovable cop-on-the-beat Murphy, Sylvia hides Karel from the immigration authorities and ultimately falls in love with him. In addition to Karel's illegal-alien status, the plot is complicated by a crooked lawyer and a group of well-meaning welfare workers who endeavor to place Sylvia's kid brother Frank in a foster home.