46 movies

April 10, 1970

The Cavalcade of Perversion, a traveling freak show, acts as a front for Divine, who is out for blood after discovering her lover's affair.

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

January 25, 2013

A gang of Nazi bikers prepares for a race as sexual, sadistic, and occult images are cut together.

January 1, 1966

A day in the life of a young Manhattanite who is in love with his mother, gives birth to $1890 from his hip, and kills indiscriminately.

December 3, 1965

Mr. Jaffee is a curious but closeted married man, who decides to take a walk on the wild side one night over to the local bath house located in Times Square, New York. When he is a approached by Thomas, a swinging regular who takes an interest in Mr. Jaffe as the new face "on the scene", a deep discussion about marriage, connection and loss begins to unexpectedly unfold. The two become emotionally intimate in a very short time, with no sexual contact of any sort, while everyone around them are screwing like rabbits.

November 11, 2016

A hapless filmmaker documents the weird, violent, and surreal torments of an extraterrestrial clown.

January 30, 1967

Short Subject [commonly known as Mickey Mouse in Vietnam] is a 16mm underground animated short film. Mickey Mouse enlists with the army and ships off to Vietnam.

April 24, 2022

A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.

January 1, 1987

A short experimental cutup film by Jon Moritsugu.

September 11, 2016

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, "The Eternal Man" party. He begins to be referred to as "God". Then he starts having doubts about the eternalness of man.

January 1, 1968

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

December 1, 2001

Three hit people - two men, one woman, who have never met before are placed on a road trip down the East Coast together. The only thing they have in common is that they have all worked for the same boss - and, as they swap stories, discover that they have all screwed up for this same boss in the past. As they share their stories of errors on the job - seen through visual, stirring flashbacks - they begin to wonder why it was they were put together in the first place and what might be waiting for them at the end of their little road trip.

October 31, 1988

Enter the bizarre world of Thraxton Hall, where Jarvis, Lord of the Manor, indulges in his wildest, darkest fantasies! Part torture chamber, part Turkish bath, part homicidal nightmare, this ramshackle monstrosity is actually his imaginary creation, his escape from a dead-end existence, fueled by his passion for silent horror films. But maybe his fantasies are real… this passive video geek turns out to be a bit more then we bargained for! And to this crazy mix a beautiful, buxom blond, scantily clad in black lace and garter belt, who is terrorizes by Jarvis, and Nightslave explodes into reality with terrifying results. A black comedy with an edge, this is one-of-a-kind thriller takes you on a sexy horror ride you don’t want to miss.

January 1, 1988

Underground homage to Easy Rider about two girl bikers with bad attitudes who wind up on the wrong end of evil Cruella's shotgun.

March 8, 1967

Welcome to the Secret Cinema, now featuring a series of films on the real-life misadventures of Jane, a New York City office secretary. See Jane being sexually harassed by her boss, Mr. Troppogrosso. See Jane get dumped by her boyfriend, Dick. See Jane humiliated in lots of ways. And here's the kicker: Jane doesn't know that her life is being filmed, or that she's being set up by some of the people closest to her. But she's starting to have her suspicions.

The film is a triptych of more or less connected vignettes, two of which are suggested by a song with the same name of the title by the Spanish singer Alaska. It has elements of black humor, gore, grindhouse among other things.

January 1, 1968

A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York. Against a backdrop of cultural upheaval in all of the arts and growing political agitation against the Vietnam War, Bachman interviews the most prominent figures in “underground film,” including Jonas Mekas, Shirley Clarke, the Kuchar Brothers and Bruce Connor, and visits the most notorious location in the New York art world of the era - Andy Warhol’s Factory - to conduct an interview with the genius of Pop Art himself.

January 11, 1966

Queen of China (Hanoi Hanna), based on Ronald Tavel’s scenario, loosely refers to the real-life radio show host who broadcast antiwar propaganda to American soldiers in Vietnam. It is Mary Woronov’s showcase piece, in which she metes out physical and psychological abuse to Susan Bottomly, Angelina “Pepper” Davis, and Ingrid Superstar in a room at the Chelsea Hotel. At first, the cast tries to accurately adhere to Tavel’s scenario, but by reel two it all falls apart—the performers begin to use their real names and exhibit a sort of residual stress disorder that permeates the rest of the film.

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