For the whole of his long life Emil Nolde, the leading German Expressionist, luxuriated in colour. Before the First World War in Berlin he made many paintings of the theater, music-hall and opera; he loved flowers and even coaxed a garden out of the salty soil of the Baltic coast, where he had built himself an isolated house. His parents were Frisian peasants and he loved the landscape of North Friesland: it was the theme of many of his pictures. But the Nazis disapproved of his work and finally forbade him to paint at all. Although Nolde was already in his seventies when this happened, no political regime could stifle his vision. At great danger to himself he continued to work, making watercolour sketches the size of postcards, which he called 'unpainted pictures,' meaning them to serve as sketches for the large oils he would paint when he was free. And he did outlive the Nazi regime, marrying a twenty-eight-year-old woman in 1948 and painting up until the year before he died.
This movement marks the beginning of modern art in Germany. It is the German equivalent of French Fauvism, from which it draws its main inspiration, but it carries an Expressionist and social emphasis that is characteristic of Nordic 'angst.' The artists of Die Brucke were restless creatures, over-sensitive, haunted by religious, sexual, political or moral obsessions. Dramatic landscapes and nudes, mystical and visionary compositions, scenes of the countryside, the streets, the circus, the cafe-dansants and the demi-monde were their principal subjects. Their pure colours blaze in acid stridency, encompassed by rough, dry contours which show the influence of African art and primitive woodcuts. The work of the following is shown: Kirchner, Fritz Bleyl, Erich Heckel, Schmidt-Rottluff, Otto Muller, Emil Nolde and Max Pechstein.
During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.
An abstract collage representing the disorientation inherent in the existence of thought.
A man unravels the consequences of reaching the unreachable horizon, starting from the abyss.
In this surreal multimedia deconstruction of The Simpsons, Hommer deals with his guilt and masculinity after killing his baby, as the world disassembles around him.
A priestess in “Serafisk Sang”, virginal in “Pastorale”, botanic in “Sommertanz” and finally a witch in “Hexentanz”, Mary Wigman is a woman-flower, goddess and a prophetess in turn. Her jerky, sombre and introspective movements proudly claim the expression of the free body. We are at the end of the roaring twenties and Mary Wigman provoked a real revolution in the world of dance.
Emil Nolde was a Nazi – and so what, asks contemporary German artist Daniel Richter. “It’s a moralistic debate. A debate, that mirrors the moralism and bigottery of a generation that seems to think, that the world is a moral playground.” Emil Nolde’s relationship to the Nazi-regime in the Third Reich has given rise to immense discussions within the last months. For decades the broader public had a picture of Nolde being one of the “entartete” artists as well as being prohibited painting by the Nazi-regime. Though this on the surface is true, it was the result of a great disappointment to Nolde. For years, he had strived to become “the” artist of the Thrid Reich, praising his own art as true, German, anti-French and anti-Jewish. Possible competitors within the German art world like Max Pechstein he actively denounced to the Nazi authorities.
Woken up from a delightful dream, a nondescript citizen finds himself irredeemably able to see what is decreed forbidden. Dreading the outcome of his disobedience, he is yet desperately incapable of blocking this unlawful vision...
Under the constant watch of The Eyes, Misha lives within an environment of constant fear and hypervigilance. They live this way until they are interrupted in their work one day when a creature in the old vent above their station drops fragments of an image that changes the world as Misha knows it.
A vampire tries to sleep, but a terrible predator approaches.
mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.
A short animated film by Dušan Vukotić.
Disturbed by an irrational aversion to his house owner's unsettling left eye, man contemplates murder to escape the disturbing presence and restore peace to his disrupted lifestyle
A film student goes to sleep and wakes up in a world similar to German expressionism, but the beings in that world have similarities with the girl.
A young man has been mutilated into a cyborg warrior, known as Bovine Rider, by the intergalactic alien council called FORESIGHT. FORESIGHT instruct him to battle another rider to complete his training so that they can have a warrior to control and lead Earth into their schemes. Chaos ensues as Bovine is challenged over who he is, and what he is supposed to be.
The first release of the Residents' film debut "Vileness Fats", in a re-edited and re-scored form.