Woody Woodpecker goes out to dine and accidentally stumbles into a taxidermist's shop, thinking it is a restaurant. The taxidermist, wanting a woodpecker to stuff, doesn't inform Woody otherwise.
A taxidermist decides to murder his wife after having to put up with her after twenty years of hellish marriage.
Trevor is an extremely shy undertaker's assistant. He always tags along with his good friend Ronnie, when he goes to the pub with his girlfriend Sandra. Sandra introduces Trevor to her more forward friend Linda. Linda has a difficult time getting Trevor to go out with her, but she finally gets him to go to a disco; he won't dance, so Linda dances with Ronnie.
弗兰霍夫（米歇尔·皮寇利 Michel Piccoli 饰）是一个功成名就的画家，妻子利兹（简·伯金 Jane Birkin 饰）一直都是他创作的源泉和模特，这也是利兹感到自豪的所在。但是这些年来，弗兰霍夫的创作灵感渐渐枯竭，当他面对着妻子的肖像画时，甚至感到无从下笔。当玛利亚娜（艾曼纽·贝阿 Emmanuelle Béart 饰）经朋友介绍出现在他眼前时，他已经有将近十年没有拿起过画笔了。性感奔放的玛利亚娜的出现重新点燃了画家的激情，他们两人在封闭的画室里整日疯狂的作画。利兹努力的克制自己的嫉妒心，但当弗兰霍夫将妻子的肖像画用玛利亚娜的人体覆盖的时候，利兹无法忍耐了，她和画家之间发生了争吵。画作完成了，但弗兰霍夫却做出了一个惊人的举动，他将完美的画作永远的砌进了石墙里，从此，这副杰作将永远的隐藏于黑暗之中。
A reporter doing a story on taxidermy discovers an odd older couple that he becomes convinced are ex-Nazi's. The chief item leading to this belief is an odd puppet theater the couple operate in their basement that re-creates the Nazi era using stuffed creatures.
摄影师 Manchester 和 女友 Noon 在乡下渡过了一个漫长、火热、浪漫的假期。Manchester 把他们的爱情用相机记录了下来，使用的工具仅仅是一台廉价相机。有钱的绅士 Franny 发现了 Manchester 的天赋，希望能引他入摄影圈子，但是 Manchester 和 女友 Noon 的爱情和田园生活却似乎要被摧毁……
神秘的秘鲁，生活着一种十分稀有的果酱熊，他们拥有非常高的智商和语言能力。当年果酱熊夫妇帕斯图佐和露西曾与来自伦敦的探险家结下深厚的友谊，并且学到了压制果酱的技巧。时至今日，一场灾难摧毁了果酱熊安宁快乐的生活，露西阿姨将淘气的侄子送上开往伦敦的邮轮，嘱咐他在那个友好的国度展开新的生活。万里漂泊而来的小熊懵懵懂懂来到帕丁顿火车站，可是当代人的冷漠却让他倍感失落。幸运的是小熊遇到了布朗一家，并且得到了一个好听的名字——帕丁顿（本·卫肖 Ben Whishaw 配音）。善良的女主人玛丽（莎莉·霍金斯 Sally Hawkins 饰）殷切要帮助帕丁顿找到可以栖身的地方，而男主人亨利（休·博内威利 Hugh Bonneville 饰）则时刻想把这个突如其来的麻烦赶走。在此过程中，搞怪不断的帕丁顿和布朗一家关系逐渐融洽，而自然历史博物馆的标本师米莉森特（妮可·基德曼 Nicole Kidman 饰）则怀着邪恶的目的悄然向帕丁顿接近……
The world of a lonely deaf Parisian taxidermist is turned upside down and back to front when a dead pigeon arrives on his doorstep.
Amateur taxidermist, Walter Potter, became an unlikely success by putting his creatures in human positions and scenarios, referred to as anthropomorphic taxidermy. Potter's Museum, filled with his creations and collection of oddities and curiosities dazzled millions for over a hundred years until the collection's unfortunate separation in 2003. While largely about the man and his creations, the film also takes a look at the obsessive nature of collecting, as well as the controversial history of stuffing dead animals.
Human beings are the kings of all animals, at least if you ask us humans. Our vanity is given something to mirror itself in, but does not escape without a scratch or two in this documentary, which observes a taxidermist, a deer farmer and a museum curator at work. Three jobs that have one thing in common: turning animals into aesthetic objects, alive as well as dead. When the work is done properly, it is impossible to tell the difference. Dead pets are mummified. At the zoological museum, the animals' glassy eyes stare back at us from the showcases. Even a plastic alligator has its natural place in the human master plan.
Sylvie is a taxidermist content with being isolated from people in her house. That is until Oz, an American hitchhiker stumbles upon her path.
A young woman’s connection with the life force of nature. Using her taxidermy talents to “return” the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats.
A taxidermist chases a squirrel around his house with a shotgun.