The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
A priceless tablet of Gilgamesh, the oldest and most important work of literature is stolen from a museum. A security guard vows to do whatever it takes to get it back from a group of smugglers. Along the way, he faces his own inner demons.
As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.
Despite being outnumbered and outgunned, a female Kurdish fighter guides her fellow fighters in the resistance to defend their city, Kobanê, from the deadly threat of ISIS. A real story of war, sacrifice, love and hope that kept the whole world on tenterhooks.
A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.
Kurdistan, partitioned between Iran, Iraq, Turkey and Syria, could play a major role in a torn Middle East. But who are the Kurds? What influence do they have? Who exactly is Abdullah Öcalan, the leader of the Kurdistan Workers' Party? An enlightening investigation by Luis Miranda.
Turtles can fly tells the story of a group of young children near the Turkey-Iran border. They clean up mines and wait for the Saddam regime to fall.
When a British-born actor abandons his Hollywood career to volunteer to Join the Kurdish YPG to fight ISIS in Syria, many see him as a selfless hero battling America's most insidious enemy. But others think he's a hot-tempered narcissist, staging a publicity stunt to further his career - and when his service ends, neither the UK nor the US welcome him back. Through incisive interviews with the actor, his supporters, his detractors, and top-tier experts - and featuring the actor's own jaw-dropping helmet-cam video of deadly battles with and interrogations of ISIS fighters - Heval gives viewers unprecedented access into a war against evil and one man's controversial role in it.
In the winter of 1988, in the depths of the Iraq/Iran war, the border town of Halabja was attacked by chemical weapons with all its people and their different stories.
The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.
Her guerilla friends find out that Sakîne has never seen herself in a mirror. So they go on the quest to transport a tall mirror up into the mountains.
If Sidik manages to spot a leopard in his beloved mountains of Kurdistan, the area can be declared a protected nature reserve. Will that finally bring peace?
“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.
Bakur (North) is a documentary that invites its audience to reflect on a war that has been continuing for decades and gives an insightful look on its main subject, the PKK. The film follows the lives of the guerilla in three different camps on the Kurdish region (north) that lies within Turkish borders.
Qader, a bricklayer from Sardasht in Kurdistan Iran whose wife is pregnant with her 4th child, suddenly found himself amid a war crime perpetrated by the Saddam regime. On June 28th, 1987 Iraqi air fighters dropped mustard gas bombs on the city...
Kurdish childhood friends Hussein and Alan want to produce a film about the genocide of Kurdish people in Iraq, the Anfal campaign in 1988. They learn that, to achieve veracity by the means of cinema and to face their own identity, it's worth putting everything on the line - even their own life.
After dealing with the Shut in the Balkans, Kara Ben-Nemsi ('Karl the German') receives a firman (precious passport) from the padishah (Ottoman sultan) before he continues his travels through Kurdistan. Achmed El Corda, the son of Halef's Hadedhin Beduin tribe's sheik Mohammed Emin, has been captured by the machredsh (Turkish governor) of Mossul for resisting water seizure by his Turkish troops. Kara takes charge of the rescue.
This Rain Will Never Stop takes the audience on a powerful, visually arresting journey through humanity’s endless cycle of war and peace. The film follows 20-year-old Andriy Suleyman as he tries to secure a sustainable future while navigating the human toll of armed conflict. From the Syrian civil war to strife in Ukraine, Andriy’s existence is framed by the seemingly eternal flow of life and death.