1980年代初頭、シチリアではマフィアの全面戦争が激化していた。パレルモ派の大物ブシェッタは抗争の仲裁に失敗しブラジルに逃れるが、残された家族や仲間達はコルレオーネ派の報復によって次々と抹殺されていった。ブラジルで逮捕されイタリアに引き渡されたブシェッタは、マフィア撲滅に執念を燃やすファルコーネ判事から捜査への協力を求められる。麻薬と殺人に明け暮れ堕落した犯罪組織コーザ・ノストラに失望していたブシェッタは、固い信頼関係で結ばれたファルコーネに組織の罪を告白する決意をするが、それはコーザ・ノストラの ”血の掟” に背く行為だった……。仁義なき抗争の果てに、名誉ある男の美学を貫こうとブシェッタが下した決断とは−−。

“魔王”と呼ばれたイタリア首相、アンドレオッティをモデルにした政治バイオレンス・ドラマ。犯罪や汚職に手を染めながらも権力に君臨するアンドレオッティ。しかし、マフィアとの対立を深めていき……。主演はトニ・セルヴィッロ。

In 1968, engineer Giorgio Rosa established the independent state called "The Isle of Roses" off the coast of Rimini, built on a platform outside the territorial waters, with Esperanto as the official language. The Italian authorities did not take it well because the micronation was seen as an expedient to not pay taxes on the revenues obtained thanks to the arrival of numerous tourists and curious people.

Palermo, Sicily, 1984. Examining magistrate Giovanni Falcone allies with Tomasso Buscetta, a former mobster, to defeat the clan of Corleone, the ruthless Mafia faction that rules Cosa Nostra with an iron hand, cruelly eliminating all those who dare to oppose its immense power: other criminals, policemen, judges, even innocent civilians. One of them wants revenge, the other wants justice. But only one can survive such an unequal fight.

マフィアの大物による前代未聞の裏切り行為。1986年、組織の秘密を暴露したトンマーゾ・ブシェッタには、家族と自身の命を巻き込む大きな代償が待っていた。

1828. In the wake of the repression of revolutionary movements in Southern Italy, three young friends join Giuseppe Mazzini's republican and unificationist cause. Their idealism will clash with the inevitable disillusionment as they grow apart over the decades.

The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Rome, 1825. Bishop Rivarola and Colonel Nardoni are in charge of suppressing the liberal revolution. Shoemaker Cornacchia got the information that the liberal Filippo Spada is a spy and is going to denounce his revolutionary companions.

Sicilian photojournalist Letizia Battaglia began a long battle against the ruthless Cosa Nostra when she first photographed the sinister scene of a brutal murder. Documenting the barbaric rule of the Italian Mafia, she was an unwavering witness to its crimes. Her art and courage helped end the horrific and bloody reign of the Corleonesi clan.

The personal and professional story of Ilona Staller, known as Cicciolina, is probably unique: she left communist Hungary and moved to Italy, where she found a fertile environment for a life dedicated to scandal.

Returned from exile where he accompanied his mother Caterina Sforza, Giovanni de 'Medici (1498-1526), becomes, under the name of Giovanni delle Bande Nere, captain of fortune at the service of the idea of a united Italy.

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

Through letters, diaries and personal testimonies, an account of the complexity and variety of experiences of LGBT Italians during the Fascist dictatorship of Benito Mussolini (1922-43); intimate words that contrast with the lyrics of popular songs and the propaganda of the time, obsessed with extolling the myths of virility, femininity and motherhood and constrained by sexual repression.

An account of the life of the Italian painter Artemisia Gentileschi (1593-1653), the first female artist to get international acclaim, recognized as a modern icon, due to her personality and her unyielding defense of her professional integrity.

The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.

The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.

In the year 1870 Rome, then governed by the Pope, was captured by the Italian General La Marmora's troops. After the armistice, the Italian soldier Alfonso killed a Pope's soldier, the son of Don Prospero. Then he sought refuge in the house of Don Prospero himself. There Costanza and Olimpia, respectively the wife and the daughter of Don Prospero, fall for him. Then Gustavo, who knew that Alfonso had killed Don Prospero's son arrived in the house... Some things are going to happen