The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.

An anthology film comprising a ghost story, a creature feature, and a sci-fi slasher story.

From 1973-1981, bartender Sheldon Nadelman shot over 1,500 black and white photographs of his customers at the Terminal Bar, located in midtown Manhattan. These are their stories as recollected by Sheldon 25 years after the bar closed its doors for good in 1982. Last Call examines a broad swath of the bar's clientele, some of them regulars, some of them one-offs and uncovers these never-before-heard stories of a bar community that would otherwise be forgotten.