The film suggests Nijinsky was driven into madness by both his consuming ambition and self-enforced heterosexuality, the latter prompted by his romantic involvement with Romola de Pulszky, a society girl who joins impresario Sergei Diaghilev's Ballets Russes specifically to seduce Nijinsky. After a series of misunderstandings with Diaghilev, who is both his domineering mentor and possessive lover, Nijinsky succumbs to Romola's charms and marries her, after which his gradual decline from artistic moodiness to complete lunacy begins.

The story of love, trust and betrayal through the eyes of a desperate guy who can no longer hide.

This animated short focuses on the lives of three eccentric people living on a farm in the Russian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.

Made up of piano, this shows Basinski's patented tape-loop technique perfectly and still stands as one of his most affecting pieces of music; still film-work scoring the James Elaine's painting of the same name.

Joe owns a Junkyard, and he has a mental breakdown over it.