Eric Leiser displays his boundless creativity in this short collection; A stunning compilation of works presented with a mixture of live action, stop motion animation, puppetry and pixilation techniques, produced between 2001 and 2006.
A female artist in mourning, balances life, friends and her egotistical mother while trying to sell her work.
Osomatsu-kun New Year's Special involving Chibita and the cast in a parody of several fairy tales, the most prominent being Momotarou and Cinderella.
Trevor, an Englishman living in Spain, is visited by his daughter who brings information that will change Trevor's life forever.
After a suicide attempt, Kate moves in with her estranged working-class Aunt Trish, where she spends the next few weeks roped up in Trish's madcap world as they learn to live with eachother.
Bakabon (Okarina) lives with his Papa (Ueda Shinya), Mama (Matsushita Nao) and younger brother Hajime-chan (Hayasaka Hirara). His bumbling Papa is a free spirit, hates lies and does not have a regular job while his beautiful, kind Mama lovingly watches over Papa. Honest and naive Bakabon and child genius Hajime-chan love him too. The family gets along well and lives happily. One trouble after another occurs around Papa and people get caught up in the uproar. Strangely enough, the bonds of the respective families deepen right after that. One day, when Papa is on a bus, an elderly lady gets a phone call. She is asked to bring money to her grandchild. It seems that she is being cheated in a “It’s me, It’s me!” scam. While the passengers on the bus are worrying for the elderly lady, Papa declares all of a sudden, “Leave it to me!” When Papa and the elderly lady get off the bus, she gets another phone call pestering her for money. Papa takes the phone and announces, “I’m Bakabon’s Papa!”
A woman hires a photographer to document her estranged family's last day with their dying matriarch, but her sister is running late.
An observation of a Grandma's life. Every day, Grandma greets a wide range of characters, most of them typically in need of something. Her family uses her house as a magnet, visiting practically every day. Just like her home itself, she has always been there for her family.
In this dark comedy, a Yankee goes to visit a family of British eccentrics to ask for the hand of one of their daughters in marriage. He soon finds himself in the midst of a really odd family. One of them talks like Bela Lugosi, another believes herself to be a vampire, while a third is locked away in a padded cell. Another family member is thrilled when he finally invents a horseless carriage (50 years after Ford), and the family grandfather is found reading Playboy just before he dies. Trouble begins when members of the family begin to be mysteriously murdered. The American suitor must then discover which member of the strange family is in line to inherit the family fortune.
After moving to England and establishing a life for herself, Shin-Ae reaches a point in her life where she has to face her communities enemies head on, in order to finally find peace within herself.
This is a story of an entire family that are members of the LGBT+ community, and their individual/unified stories, struggles, and livelihoods.
An Osomatsu-san special funded in part by the Japan Racing Association, a company that oversees horse racing and betting.
A parody of "Journey to the West" involving the characters of Fujio Akatsuka's two most popular works: Tensai Bakabon and Osomatsu-kun.
A girl tries to pay the mortgage on a Nob Hill home and gets involved in selling her father's art treasures.
Episode-length Osomatsu-kun film, released as a feature of the Toei Manga Movie Festival. Loosely based on a manga chapter, the film revolves around an alien plot to take over the world.
A writer must face the sudden death of his father, but after the burial, the latter reappears to him. He will have to learn to live with this facetious companion, but difficult to explain the situation to his family, because he is the only one who can see him. This disturbing presence will create an earthquake in the family.
A student moves in with a family that lives in an underground house in the middle of the forest, far from civilization. His hopes of peace and quiet are soon shattered, when it becomes apparent that both the parents and their son have a screw loose.
In the depths of a British legend, the ghost of Eleanor Canterville is condemned to haunt the castle of his family and to scare away any inhabitant. It fulfills this task perfectly, helped by Gwilherm, his faithful servant. But when Otis, a family fleeing Parisian life, buy the castle, Eleanor is upset because she cannot scare this tribe of the twenty-first century. Worse yet, children ridicule and parents are unaware. Only Virginia Otis, aged fifteen, moved by the fate of Canterville Ghost, will seek to deliver from curse on it.
Emmy winner Jean Stapleton and Academy Award winner Art Carney star in the Pulitzer Prize-winning comedy by George S. Kaufman and Moss Hart about a slightly daft family who do exactly as they please.