Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …À Valparaiso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
Technicolor scenes from an Indian Durbar, held for the Maharaja of Alwar in Rajasthan.
A faux travelogue that mixes documentary and mockumentary footage. The camera looks through a one-way glass into the women's dressing room at a lingerie shop, visits a Kyoto massage parlor, goes inside the mailroom at Frederick's of Hollywood, watches an Australian who sticks nails through his skin and eats glass, checks out the art and peace scene in Los Angeles, takes in Easter week with vacationing college students on Balboa Island, observes a German audience enjoying a play about Nazi sadism, and, with the help of powerful military lenses, spies on a Lebanese white-slavery auction.
A “hidden camera” takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.
Travelogue/documentary follows newly married Rita Hayworth and Prince Aly Khan on their honeymoon trip through exotic locales.
This Traveltalk series short visits Hungary's capital, Budapest.
Cinerama takes you on a South Seas Adventure to tropical islands set like sparkling jewels in dreamy cerulean waters. Thrill to the lure of sunbrowned, luscious maidens and a paradise of coconut palms, coral strand and blue lagoons. Enchanted South Pacific archipelagos beckon with all the beauty and color of a painter’s palette. Stepping stones in the vast expanse of far-away seas, they promise romance, adventure, excitement—an irresistible blend of fascinating people and exotic places.
This Traveltalk series short highlights such Maryland destinations as Baltimore, Johns Hopkins, Annapolis, and Fort McHenry.
A home movie made by Robbins and Meg Barstow that documents their family's free trip to the newly opened Disneyland. The one-week trip was a prize that they won in a contest sponsored by Scotch tape.
Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.
Join Megan McCormick on a journey of discovery across Japan's spectacular heartland starting in Japan's beautiful former capital Kyoto. She explores Buddhist temples, World Heritage Sites, and bargains at the city's best flea market. She then travels to Osaka, and Iga-Ueno, a former ninja stronghold, where she learns the secrets of these famously skilled assailants. She also visits the remote Sado Island and Himeji.
A 4 year-old boy stands in awe of a 1,000 year-old Viking boat in a small Norwegian museum and finds within its silent grace an impressionistic sweep of picture and music revealing the rich spirit of Norway and its people. (This is the movie that was shown after the Maelstrom Ride in Epcot Center)
In the first of two main segments, the Electric Blue girls, along with Ricky Diamond, are in St. Tropez for more sun, surf, tits and sub-Benny Hill jokes. The second main story ("The Love Machine") is a parody of Back to the Future. Other segments include a brief profile of Brigitte Bardot, a brief look at the girls of the Australian Stubbies Surf Classic (and a wet t-shirt contest), the Electric Blue Dance Troupe and several erotic stories.
This Technicolor portrait of Jakarta was filmed when it was called Batavia and formed part of the Dutch East Indies colonial empire. The film portrays the daily life of citizens and the relaxed atmosphere that prevailed at the time. We see Batavia's Amsterdam Gate, built by the Dutch around 1664, along with the strong influence of Dutch architecture upon other buildings, streets and waterways.
A Traveltalks visit to some small towns in Mexico. In Mazatlán, away from the tourist spots, we see a small village where fishing, growing coconuts, and gathering large sea turtles are the main pursuits. We then visit Toluca on market day, where people sell produce and pottery. The last stop is Taxco, where the Castilian influence of the Spanish conquerors is still prevalent.
This Traveltalk series short visits the rural agricultural areas of Hungary.
Tourist promo film extolling the delights of Birmingham and the Midlands, with a sprinkling of arch one-liners.
A 1962 West German documentary film directed by Hermann Leitner and Rudolf Nussgruber.
The opening moments of "Psyche Out" introduce a young boy who craves the adventures achieved in the surf. The boy -- or at least his dreams -- seem like they could provide a recurring framing device for Walt Phillips' third film (following "Sunset Surf Craze" and "Surf Mania"), but that's the last we see of the boy or hear of ambitions. "Psyche Out" contains less poetic musing, travelogue, comic relief or similar stuff characteristic of surf films of the time, in favor of surf action at Malibu, Point Zero, Rincon and Steamer Lane. This is to the benefit of the film.