An anti-western propaganda film about the influences of American visual and consumption culture on the rest of the world, as told from a North Korean perspective.
A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Turna is brought from Turkey to Germany by her husband Dursun to start a new life. She soon realizes that he keeps her locked up in their flat every time he leaves for work in order to save her from immoral influences of the Western society. The dream of a better life becomes an inner fight between her culture and her freedom.
German ship captain Gottfried Hinrichs reluctantly retires to his Bavarian home, hoping to find comfort when his daughter Barbara moves back home, convenient now she has become a commercial pilot. So he dishes out the usual objections when she tells to have found her mate, while ma Lisbeth tries to shush. When the lovers turn up for Christmas Eve, a culture shock follows, for her dream prince is Palestinian unemployed would be-pilot Kamal Abu Khalil, and neither 'liberal' parent extends effective tolerance to Islamic in-potential laws. Ultimately Gottfried is worn down, but then the incompatible religious marriage norms seem to break up the couple itself. It gets even worse when his parents found out and fly in, while she feels neglected as Kemal starts an electronic muezzin Internet firm with a friend.
Alex is intersex. Although he has XY chromosomes, his sex is ambiguous. When Alex was an infant, his mother authorised genital reassignment surgery, and he was thereafter raised female. Now Alex is an adult, and he is consumed by feelings of anger and loss. After meeting other "XY women" and doing a lot of soul-searching, he decides he wants to live as a man.
In these interviews, Dennis McKenna, Alex Grey, Rick Strassman, and other champions of psychedelics share their views on the value of psychedelic medicine, and its neglect in Western society.