To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
Charlie, the protagonist of the Slovenian film “Porno Film”, is so dedicated to his porn viewing that his two friends John and Frank jokes that he must have a PhD in pornography by now. Using Charlie’s extensive knowledge of all things porn, the trio sets out to make the “first real Slovenia porn film”, in Slovenian language and everything — except the women in the film are emigrated Russian hookers, and their Slovenian isn’t very good.
An ex-partisan and current political activist sets out to Styria region in Slovenia to buy out the wheat from peasants and convince them to form the farming collective. His ostensible success (based on blackmailing rather than convincing), as well as his love defeat, make him disturbed and he kills an innocent man while performing a social mission.
Set in the Tolminsko province of Slovenia in 1713, shortly after the Peasants' Uprising. The Grogovc family are forced to live in exile in a wasteland area of the country, where they suffer from the plague which gradually kills off the colony.
After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.
WWII - Slovenia under Italian fascist occupation. Two friends separated by a woman they both loved, and then by war as well: one of them joins partisans, the other Italian occupying forces.
The only true friend he had was an wolf. Or was it a dog?
When Peter comes back from the war, he finds his father changed and alone. Their former maid, Leni, has also left and soon Peter's grandfather also dies. His father begins writing his memoirs of his Partisan years. Peter blames his father for his mother's death, but the final blow comes when he catches his father together with his (Peter's) former girlfriend. He moves in with his brother and accuses Leni of having had an affair with his father. Peter decides to kill his father but cannot carry out the plan. His father tells him in a fit of rage that he isn't his son at all. Feeling desperate and down, he goes to Leni's place for comfort, and finds her dead on the floor. The police arrest Peter for the murder of Leni. Will Peter have to serve a jail sentence on his road to maturity and will political connections have a bearing on the final verdict of the trial? Peter doesn't even know whom he can trust anymore.
On the surface a straightforward tale of the search for a buried treasure, the film is a textbook example of German expressionism, with the passions of the protagonists conveyed as much through symbolism as action.
A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?
Two boys, Kekec and Rozle, come to serve a farmer, with a blind daughter Mojca, as shepherds. As the night falls, the two boys start talking about a woman who lives in the mountains and is supposed to steal children. Her name is Pehta. In the morning, Kekec, Rozle and Mojca go to an Alpine cottage and Kekec promises Mojca that he will find her a remedy for her eyes. As the girl is picking flowers, Pehta arrives and takes Mojca into her cottage. She wants to keep Mojca because of her singing.
A TV journalist making a documentary in a factory finds out that the workers have been on strike and tries to analyze the strike in his film, but is thwarted by the TV company. His failure at his job is interwoven with his failed marriage.
A Slovenian children's show.
Based on the novel by Josip Jurcic and set in rural Yugoslavia in the 1840's. The tenth brother of a family returns to the family home to take revenge on his father who had abandoned him as a child.
Erjavec family goes to picnic at the Great Mountain, but instead of having peaceful vacation, they end up in a haunted cottage and fall into series of adventures.
When Dane returns from the army, Vera awaits him at the station, ready to live together with him. Yet beneath the veil of enthusiasm lies anxiety for their future. The couple sets off for the mountain village where Vera's parents live, but find life in the harsh alpine conditions too difficult. They decide to move down into the valley, where they meet a discontented couple whose marriage has been marred by an affair. Vera and Dane also encounter difficulties in their relationship, but the tragic example of the other couple helps them realize that their home lies in the place of their birth - beneath the free skies in the mountains.
Eva is a widow bored with life, with her job as an architect, with her younger lover, and with her two teenage offspring. She is eventually assigned the job of redesigning the cells of a new prison, but even when her enthusiasm returns a little with the assignment, she is discouraged by the pseudo-intellectual stance of the prison warden and a non-communicative visit to her father. In an act of desperation, she steals some money and a gun - and fully intends to use them both.
Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.
2009, Slovenia. For 30 years, Alija, the miner, has been one of the many Bosnian immigrant workers. Due to the crisis, miners are losing jobs. Alija is sent to check an abandoned mine. His task is to quickly make sure the mine is empty before management sells the company. But in the mine, Alija finds hidden proof of executions after WWII. He is told to stop digging and report the mine empty. He decides to continue, although he is risking his job. Alija discovers thousands of executed people. He informs the police. He found women among the dead. Some of them were civilians, missing persons, just like his sister that was lost in the 1995 genocide in Bosnia. Alija is convinced the victims need to be brought out, identified and buried. But there is no interest in doing that. The mine is proclaimed a WWII military grave and walled in. The dead will stay unburied. Alija loses his job and struggles to preserve his dignity.
Young lawyer Rebeka is given a case involving the murder of a production designer, and the main suspect is her childhood friend Jana. What first seems like a very straightforward case gradually reveals the dark sides, mysterious depths and stray ways of human nature.