In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant's shape to see what life is like in her skin, igniting a deep seated curiosity to experience life inside the bodies of others.
Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.
Documental sobre la darrera dona recol·lectora d'abelles d'Europa. Hatidze és una dona a prop de la cinquantena d'un petit poble a Macedònia que cria colònies d'abelles en uns cistells fets a mà que deixa amagats entre les roques. Sense protecció ni ajuda, és capaç d'amansar-les per poder extreure la mel i vendre-la a la capital. Tot és idíl·lic fins que, de cop i volta, nous veïns s'instal·len a prop dels ruscs, destorbant la seva pau i la de les seves abelles. Així com les abelles obreres passen tota la vida tenint cura de l'abella reina, Hatidze ha compromès la seva pròpia vida a cura de la seva mare, amb qui viu en una cabana. La intrusió dels nouvinguts, una família amb set nens sorollosos acompanyats de 150 vaques, provocarà un conflicte que podria destruir la forma de vida de Hatidze per sempre.
A mild political satire about a peculiar friendship between a lonesome monkey and an (impoverished) zoo warden, and about an upside-down world in transition as seen by a chimpanzee.
The water is a metaphorical view of life in the drought of the people living in Pustec by Prespa Lake.
The AHRC funded Objects of Immersion created the Living Room of the Future (LROTF) to highlight the future potential of Object Based Media (OBM). OBM allows programme content to change according to unique interactions with audiences. The ‘objects’ in OBM refer to the different assets within a given programme. These include large objects like audio and video used to construct a scene in a drama, and small objects, like an individual frame of video, a caption, or a signer. By breaking down a piece of media into separate objects, attaching meaning to each object, and describing how they can be semantically rearranged, a programme can change to reflect an individual viewer’s unique context.
A simple story, but larger than life portrayal of the universal human saga represented through Dionis, a retiring biology professor, his wife and his fantasy of turning his unusual car collection into a museum in a small uneventful town.
After losing his job on the first day of school, an idealistic teacher attempts to get rehired by locking his students in the classroom and forcing them to resolve a long-standing feud between their villages.
100 years since the beginning of First World War. Locality - French cemetery in Bitola. State protocol. There are deputies, ministers, ambassadors, military attaches, consuls, honorary consuls, media present - Priests - Orthodox, Catholic, Muslim. - Military band. Jean Batiste Valerie, an old man of about 77 years of age, arrives in Bitola for the first time. Tiny, petite, with thin and gray hair, arrives late at the sad ceremony held in honor of the fallen French soldiers in the First World War. According to correspondence and information from the French army, his predecessor with the same name and surname must be located somewhere nearby. The ceremony had already begun.
Forced into an early retirement, veteran detective Pepi (Pepi Mircevski) is burdened with showing his younger replacement, Muto (Sasko Kocev) how to become a proper detective.
This is a documentary film about the land and people which will never restore their power of the past. A story about negations and many historical moments are enveloped in the veil of secret. Through the modern personalities and archives "The Last Macedonian from Macedonia" approaches to the truth revealing the never spoken moments and linking the past, present, but also the future. The film was shot on locations in Bitola and its surroundings.
After her son's tragic death, Helena abducts her employee, Lucian, and travels with him and her husband to scatter her son's ashes in Macedonia. Meanwhile, Lucian's lover struggles to provide for their son and break free from her dictatorial father.
A group of crotchety codgers attempt to revive the punk-rock band they all played in 17 years earlier in "Punk Is Not Dead".
RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.
Tailors Marko Cepenko and his dad Kosta, along with three granny-oracles, are eyewitnesses of their mother's/wife's soul-taking by bad demons. Therefore they ask for exorcism services from Kurto. A delicate fight with spirits ends up everybody run for their lives.
As Macedonia faces its difficult transition, a boy escapes into a world of his own creation.
A promising debut feature tells the story of a young woman returning from America to discover the realities of life in Macedonia, that looks as if it will explode with all the soldiers, corrupt crooks and terrorist idealists.
High in the mountains of Macedonia a team of young film makers are making a documentary about Katerina Vandeva - a descendant of an ancient and very famous family. Several former state and party functionaries interfere in the filmmaking in the hopes of manipulating Katerina's confessions for their own purposes. Nikola, the director, and his friends have to make the choice - whether to compromise with their consciences and their art, (as normally happens here in the Balkans), or whether to preserve Katerina's message.
Serafim is a vampire hunter - who wanders through Macedonian villages and destroys the vampired dead man for money. His apprentice is young fellow named Fidan, who Serafim teaches the rough and dangerous vampire craft, along with the alphabet and the insecure life in Macedonia. Vampire man and his student in their surroundings get in struggle with: Macedonian vampires, Turkish Authority and with Komiti (Macedonian Revolutionaries), also with Avdzi - Taburi (paid hunters of Komiti). Fidan experiences damnation of the vampire skill, who doesn't know if Serafim is a God's angel or servant of Devil.
The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.