14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence – which is considerable.
Cemetery watchman, Francesco Dellamorte, is tasked with dispatching the recently deceased when they rise from their graves.
A young American woman traveling through Italy finds herself in a strange Mediterranean villa where nothing seems quite right.
Four friends gather at a villa with the intention of eating themselves to death.
The American architect Kracklite arrives in Italy, supervising an exhibiton for a French architect, Boullée, famous for his oval structures. Tirelessly dedicated to the project, Kracklite's marriage quickly dissolves along with his health.
The shocking finale of the titular trilogy, which features graphic footage of the macabre and grotesque as directed by Brazilian filmmaker Lázaro Hahn.
A director and his crew attempt to make the transition from the small to the big screen.
A devout priest welcomes a struggling couple into his house at Christmas time. What begins as a simple act of kindness quickly becomes the ultimate test of faith once the sanctity of his home is jeopardized.
August Underground's Penance is the personal home video of two sociopathic killers on a murder spree. Again two killers videotape their bloodthirsty madness, but Penance also shows their slow decline.
A teenage orphan and delinquent rebels against her evil family during a global virus outbreak.
Forced by the parents to be married, a young couple in Paris discover things about themselves as they mature through their romance together.
The “meaning of life” told by Eros Puglielli in his peculiar directing style: weird characters, odd mishaps, fates that meet, skim and loose each other. A student in love with her philosophy lecturer, a disabled man seeking for his legs recovery, a young pop star desperate for a spiritual leader to meet. And above everybody stands an overhanging odd luminous man, maybe true, maybe not.
An upright priest, disliked the corrupt upper echelons of V.A.T.I.C.A.N.O., is imprisoned, tortured and sentenced to certain death. But by divine intercession he'd be able to save himself: once put back on track, and trained in the martial arts by an eccentric monk, he will take revenge in a crescendo of disproportionate violence.
A young man gets stuck in an elevator just as it passes the 13th floor.
Two friends enter an Emergency Room, seeking help after an incident. They will find themselves living a series of surreal experiences through the eccentric characters that populate the waiting room. But will they get the help they need?
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
A meditation on eating people and quiet waitresses.
The film presents a series of unrelated "pictures": a police commissioner who, faced with four friars stripped by two women, must decide whether they are real or false friars (but he can't); a professor who, suffering from acute dysentery, is dismissed for unworthiness by the Institute Council; a football referee trying to escape the ire of angry fans; an endless marathon in Piazza Navona; a true but crazy producer, a not crazy but fake producer and a group of actors who want to take revenge on one and the other; a "club of toasts" that spends its time toasting to this and that, to elect new members and honorary members; finally, a censorship commission that, aboard an old and very battered car, fails to reach his workplace.
This collaborative video project is based on a short story by H.G. Wells called "The Country of the Blind"—about a man who travels to a country of blind people and attempts to dominate their sensual, feminine culture with his male, sight-derived power. Following this theme, "Blind Country" begins with animated fruit dancing over Mike Kelley's body and the admonition of "Northerners" to "refill the quickly emptying sack." In the male-dominated land of the North, candy-spurting pinatas stand as phallic symbols. Presumably castrated, and stripped of his authority, Kelley acts the buffoon as he is led through the murky land of the South, a "female," earthy, "realm of the senses" opposing the phallocentric world of the North.