A washed-up '80s pop star gets a chance at a comeback when reigning pop diva Cora Corman invites him to write & record a duet with her, but there's a problem--Alex hasn't written a song in years; he's never written lyrics and he has to come up with a hit in a matter of days.
Icelandic singer-songwriter Björk performs tracks from her Vespertine album in this 2001 performance at London's Royal Opera House.
Meliton Beltadze only son Reziko opera singer, has neither the talent nor the desire, but for the sake of the mother's grandmother and studied at the Conservatoire. Reziko first test of the household could not steal a father and son reveals. Melitoni troubled his friend, the director complained to the toy factory and asks the child to receive a temporary work. Factory Reziko true talent is revealed, its currently outstanding dolls quickly attracts attention. Factory accidentally found his calling with the young man that finds here first.
A series of precipitous events force the ensemble cast into a fateful intersection with justice and violence. Griot and the community struggle against the errors of terror so many make when it seems all is lost.
A waxwing conducts a ritual on a satellite dish to achieve a spiritual experience. He succeeds. Official video for 'Shadow of the Bird (feat. Waxwing)' by Zuhair Mehrali.
A documentary road movie composed as a pop album. Twelve text snippets by Bob Dylan give just as many fans a basis to elucidate their relationship with the legendary folk singer who then turned 65. This produces a portrait of Dylan followers in the US, which appears to be as divers as the population of this dominant world power. Two schoolgirls that sing to their idol, a therapist that bases his lessons on Dylan, an ultraconservative website administrator, a soldier packing his things for Iraq and some figures that have placed themselves, consciously or not, outside society. Dylan himself is conspicuous by his absence. The tumbling cardboards with text scraps refer to the music video of Subterranean Homesick Blues from DA Pennebaker's Dylan portrait Don't Look Back (1967). It gradually becomes clear that you can always put yourself in the right with Bob, because everybody can distil their own truth from his lyrics, as long as you interpret them creatively.