After discovering her father put their house up for his bail bond and then disappeared, 17-year-old Ree Dolly must confront the local criminal underworld and the harsh Ozark wilderness in order to to track down her father and save her family.
Ruby and her husband Claude are a working-class couple who live in suburban Arkansas. As crazy as they are for each other, their relationship is far from harmonious. (The lack of money doesn't help matters, either.) In fact, their whole family is fraught with unresolved conflicts. Then Claude's uncle is arrested on a felony charge, and everyone rallies round. Ruby's mother Jewel and flirtatious sister Rose (Claude's ex-girlfriend) even fly in from Tennessee; but, far from being a source of support, Jewel seems only to want to break up Ruby and Claude.
Following the breakdown of his marriage, a self-involved man begins to embrace fatherhood.
College swimmer Chad Billingsley is his middle class family's pride and joy. After a moody phase of scared denial, he owns up to father, attorney Roger, that Rosalie Frank, the provocatively dressed waitress who attended his frat's last party and is missing since, had sex with five of them. Roger does his utmost to prevent the potential statutory rape case ruining his son's future, but confides in his moralistic wife, refuge house worker Karen, who instead of supporting the boys haunts them like Rosalie's mother Inez, with multiple tragic results.
Georgia Benfield, at her wit's end, loses control and begins physically abusing her elderly mother, just as Georgia had been abused herself as a child. As family and friends slowly begin to learn of the abuse, and long-buried family secrets come to light, both mother and daughter must learn to accept the past, to change what is happening at present in order to face a better future.
When Daniel is fired right before his son's expensive surgery, an angel takes him on a journey back in time to witness the trials of Joseph and Mary before the very first Christmas, reminding him how God's love can carry him through anything.
A family crisis revealed through each member's bathroom intimacy.
In a dystopian future, an Australian-Iraqi woman held captive in a chaotic and brutal British immigration detention centre takes up severe measures to survive and reconnect with her estranged family.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Annie frantically flees Montreal for the US with her young son, Felix and teenage daughter, Sarah, fearing the repercussions after Sarah severely injures her school bully. When their car breaks down just outside a small town in the Adirondacks, the family is stranded. Paul, a single father and the town's lone mechanic, isn't able to fix the car until the following week. Annie's stubborn insistence to leave town at all costs comes head-to-head with Paul's unwillingness to give in. When Sarah realizes that her secret is out in the open, she runs away, forcing Annie and Paul to join forces to find her. When Paul's traumatic past is revealed, Annie realizes that she is not the only one running and comes to terms with facing the music.
Zion, 14, and his brother Meir, 17, are facing a crisis in their relationship after a terrible accident. They keep the secret to themselves and it haunts them until, finally, Zion re-examines his loyalty towards his older brother and decides that he is ready to take responsibility for his own life.
A family who wants to live a peaceful life, but is always disturbed by greedy and selfish creatures.