Three brothers struggle to survive on the harsh, inexorable and melancholy plains of Slovenia's Prekmurje region. The oldest flees from home in search of a better living, the middle brother survives by refusing to comply with tradition and the youngest, who received his education as a vet in the city simply cannot get used to the slow pace of country life. Will their father live to see the day when respect for the traditional ways will heal the wounds of the impoverished land?

A new, modern train station in the province of Croatia, where the only problem seems to be the numerous, unemployed people or as the station master complains: Why do films always have to show the bad side?

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

A flat broke aging boxer, living on the verge of existence, teams up with the equally desperate people in the city's suburbia to steal, cheat, and even kill for the money.