After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.
A company's stockholders hold their meeting at a lonely mansion. A mad doctor conducting experiments in the mansion starts to strangle them one at a time with a nylon noose. The survivors must figure out a way to stop him.
Histórias sobre três mulheres (todas interpretadas por Sophia Loren) muito diferentes e os homens que elas atraem. Adelina vende cigarros no mercado negro e é casada com o desempregado Carmine (Marcello Mastroianni). Ela é sentenciada a prisão, mas pode escapar enquanto estiver grávida. Sete anos e sete filhos depois, o marido esta exausto e a prisão parace algo inevitável, assim como o desprezo de Adelina por Carmine. Em Milão, Anna esta entediada e resolve dar carona a um escritor. Ela fala com um ar sonhador em fugir dali, e ele dá a atenção que ela precisa. Enquanto isso, Mara chama a atenção de um ingênuo seminarista, fazendo com que ela brigue com sua avó e faça um voto de castidade.
A caretaker devotes himself to three demented siblings after their father's death. But then money-hungry relatives show up to usurp their inheritance. Preserved by the Academy Film Archive in 2013.
When the son of an alleged killer inherits a "blue movie" that may be the key to solving a 50 year old murder, he finds himself drawn into a forbidden world of sexual obsession. But the closer he gets to the heart of the mystery, the more the past threatens to reach out into the present and reveal terrifying truths that lead him to the brink of madness.
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).