Registration of the eleventh theatre program by the Dutch comedian Theo Maassen.
Kat Robichaud and The Darling Misfits present Bite, a vampire themed Rock cabaret featuring many covers of well known songs, as well as several new original songs. Featuring costumes based on Bram Stoker's Dracula, Nosferatu, Buffy the Vampire Slayer, and From Dusk til' Dawn.
Stage registration of the sixteenth show by the Flemish cabaret duo Kommil Foo. 'Schoft' is, once again, a show about the human condition. About mankind who tries to hold his own, but inevitably stumbles and falls. Time and again man will scramble up, only to fall again later. A laughable, but also comforting thought.
Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'
An entertaining compilation of cabaret scenes by Jenő Rejtő.
An entertaining compilation of cabaret scenes by Jenő Rejtő, accompanied by contemporary chansons.
Jenő Rejtő's works have one purpose, entertainment. One laughs to tears during a cabaret scene. In this show, the best comedians present his writings, Ila Schütz, István Mikó, László Tóth Tahi bring Rejtő's heroes to life.
Following a sold-out 2013 tour, three Olivier Award nominations and over 10 million YouTube hits for Cheap Flights (their infamous anthem to budget air travel), Dillie Keane, Adele Anderson and Liza Pulman continue to celebrate over 30 years of Fascinating Aïda with their terrific new show Charm Offensive. Expect topical new songs hot off the press, plus some outrageous old favourites, as Fascinating Aïda continue to grow old disgracefully!
The FDP is gone - the financial crisis is still here. Fortress Europe is being built and the AFD would like to be in charge. The funded pension scheme is becoming a poverty trap for the average earner, so the only thing that helps is new enemy stereotypes to keep the democratically fooled at the bar where they are allowed to dance. Whoever controls the media rules the media democracy. The problems are not new, but they have evolved just as much as the program. Volker Pispers constantly updates his cabaret program and thus reflects the state of the republic: the ever new in the eternally same. Because while the media circus with its speech bubble jugglers makes us believe that something is constantly happening, virtually nothing is happening when it comes to the fundamental problems. You look in vain for respect in Pispers' programs. Blunt, crass and direct, he oscillates between bitterly angry and charmingly witty when he thinks the absurdities of the world through to the end.