This documentary follows a Cree woman as she takes on the Indian Relay race season, as well as the Canadian authorities in her quest to give Missing and Murdered Indigenous Women a voice.
The filmmaker traces the loss of her ancestral language over three generations of her family, and her own desire to recover it.
ARCTIC SUMMER is a poetic meditation on Tuktoyaktuk, an Indigenous community in the Arctic. The film captures Tuk during one of the last summers before climate change forced Tuk's coastal population to relocate to more habitable land.
This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.
"Blockade" takes place in the mountains and valleys of northern British Columbia, at the heart of the boldest aboriginal land claims case to challenge the white history of Canada. The Gitksan and Wet'suwet'en hereditary chiefs claim that everything within 22,000 square miles, including the trees, is rightfully theirs.
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.
Both a requiem for and an honoring of Canada's First Nations, Métis, and Inuit women, this short film deconstructs the layers of Canadian nationalism. In the process, it reverses the colonial lens by shifting the balance of power to reclaim the Canadian narrative, putting the enduring strength and resilience of Indigenous women at the forefront.
An examination of the issue of missing and murdered Indigenous women, the film explores the reasons why Indigenous women are uniquely vulnerable to violence by juxtaposing the stories of some missing or murdered women with the personal testimonies of women who are doing activism on the issue and women who have personally survived incidents of violence.
A social statement on the irreversible and detrimental impact of gas and oil exploration on our planet and in particular the impact that hydraulic fracturing or 'fracking' will have on Kainaiwa, or the Blood Reserve in Canada. This film was shot with a completely Indigenous cast and crew.
CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.
Indigenous rights and title to the land remains a taboo topic for many across Canada, but in the small town of Laird, Saskatchewan, an old injustice is providing new opportunities for dialogue, friendship and a fierce determination to right the wrongs of the past.
A classic concert by Gordon Lightfoot from 1972, accompanied by Red Shea and Richard Haynes. They perform songs including Summer Side of Life, Saturday Clothes, That's What You Get For Loving Me, Affair on 8th Avenue, If I Could Read Your Mind, Steel Rail Blues, Ten Degrees and Getting Colder, Early Morning Rain, Me and Bobby McGee, Minstrel of the Dawn and Canadian Pacific Trilogy.
A hunter on horseback accidentally discovers a portal to another world in this fantastical true Tsilhqot'in story.
Saskatchewan, Canada, late 19th century. The negligence of Dan Candy, sergeant of the Royal Canadian Mounted Police, allows Almighty Voice, a young Cree warrior, to escape.
In the Land of the Head Hunters is a 1914 silent film fictionalizing the world of the Kwakwaka'wakw (Kwakiutl) peoples of the Queen Charlotte Strait region of the Central Coast of British Columbia, Canada, written and directed by Edward S. Curtis and acted entirely by Kwakwaka'wakw natives. It was the first feature-length film whose cast was composed entirely of Native North Americans; the second, eight years later, was Robert Flaherty's Nanook of the North.
Canadian Mountie Steve Wagner captures a German Luftwaffe officer on a spy mission, who later escapes from the prison camp. To catch the spy ring, the Mounties employ a ruse so that the spies, believing Steve to be sympathetic, enlist him in their plans.
The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.
This documentary follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or "under the husk." The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or "auntie," to many youth going through the passage rites.
Island of Haida Gwaii, northern Canada, 19th century. During a fishing gathering, Adiits'ii commits an unfortunate act. Tormented, he runs away to the wilderness as his mind embraces madness.