A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.
Something is about to change drastically, and the only thing to do is to witness it.
Anya, a mourning woman, drives to the unknown in her vintage car, a 1961 Facel Vega. Her only traveling companion is a mysterious urn. Consumed by sadness and loneliness, Anya falls into a confused world, where the memories of her lover, Frida, and her fantasies are blended. In the middle of the night, Anya decides to make a stop at the FORNACIS, a godforsaken dive bar, to get some rest. In this atypical cellar, she meets Wolf. The two lost souls get along immediately, the night belongs to them for only few hours...
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
An approaching loss threatens the of a middle-class family, whose dark secrets gradually come to light and begin to gnaw away at the family members - literally.
Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.
July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)
A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)
After the end of civilization, an aged man undergoes a mysterious journey through space and time that takes him through memories, visions, and historical events, ultimately transcending the limitations of the senses and into a new cosmic rebirth.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
An experimental interpretation of Joycean epiphanies.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
An audio-visual, experimental short film, which consists of nightmarish and occult imagery.
A group of characters deal with the aftermath of catastrophe.
Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.