Biographical film depicting Japanese Emperor Shōwa (Hirohito) during the final days of World War II. The film is the third drama in director Aleksandr Sokurov's trilogy, which included Taurus about the Soviet Union's Vladimir Lenin and Moloch about Nazi Germany's Adolf Hitler.

In a mythical Japan, Ko-Ko, a cheap tailor, has been appointed Lord High Executioner and must find someone to execute before the arrival of the ruling Mikado. He lights upon Nanki-Poo, a strolling minstrel who loves the beautiful Yum-Yum. But Yum-Yum is also loved by Ko-Ko, and Nanki-Poo, seeing no hope for his love, considers suicide. Ko-Ko offers to solve both their problems by executing Nanki-Poo, and an agreement is reached whereby Ko-Ko will allow Nanki-Poo to marry Yum-Yum for one month, at the end of which Nanki-Poo will be executed, in time for the arrival of the Mikado. But what Ko-Ko doesn't know is that Nanki-Poo is the son of the Mikado and has run away to avoid a betrothal to an old harridan named Katisha. The arrival of the Mikado brings all the threads of the tale together. This is the Stratford Festival of Canada, directed by Brian Macdonald. This is a filmed version of a stage performance, and the sets are beautifully spare and economical.

The story of the International Military Tribunal for the Far East, known as the Tokyo Trial, which, just after the Second World War, was established in Japan as a special jurisdiction in 1946 (it was closed in 1948) to judge the war crimes of the Japanese leaders; and how and why officials in Washington prevented Emperor Hirohito to be seen sat on the bench.

Japan's Imperial system is said to have over 2,000 years of history. A closer look at the history reveals how the Imperial institution has shifted with the times, and with the people. At a time when there are only three heirs to the throne, a look is taken at what this could mean for the people of Japan and their Imperial system.