Two alley cats, Babbitt and Catsello, decide to make a meal out of Orson as he sleeps in his nest atop a telephone pole. The gullible (and loud) Catsello is repeatedly gulled into trying to "get the bird," earning a variety of thrashings from the casually murderous little canary. Catsello finally resorts to an air strike (with a pair of wooden boards for wings), but it's wartime, and Orson has the cat blasted out of the sky by anti-aircraft guns.
A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area's local cannibal tribes.
Resistance fighter under the occupation, committed to the FLN during the Algerian war, member of the Medvedkine group after May 1968 and defender of Breton autonomy, René Vautier was a committed filmmaker, author of an anti-colonialist work in which he denounces the repression, torture and racism. In 1983, René Vautier discovered, by the light of a flashlight, his films cut up and scattered at Fort du Conquet. Police also came to check the damage.
Hell on Earth is a documentary about Ken Russell's 1971 film, The Devils. Film critic Mark Kermode chats to Russell as well as two of the film’s stars, Georgina Hale and Murray Melvin. Also included are scenes that were cut from the released film for being too controversial.
A musical, all-singing, all-dancing, attack on censorship in Singaporean movies
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.
A documentary about the making of the controversial Life of Brian and the surrounding accusations of blasphemy.
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.
In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.
Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.
The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.
A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
During a film shoot in Tehran the director is trying to film a romantic scene but the government censor keeps interrupting and getting involved.
Born in Campo de Criptana, a small village in the Spanish region of La Mancha, Sara Montiel (1928-2013) conquered Mexico, Hollywood, and the hearts of people. The recognition of an unparalleled professional career, an intimate dialogue with a tireless worker who took the stage at the age of twelve and never got off. A movie star who seduced millions of viewers around the world, a singer who reinvented a musical genre, a woman who broke the mold…