One night Mia has a premonition. So after saying a few words of parting at her mother’s grave, she sets out on a cross continent journey, though mountains and jungles in search of her father, who has been trapped in a landslide at a construction site on a remote tropical lake. In the middle of the lake stands the ancient Tree of Life, watched over by innocent, bumbling forest spirits called the Migoo, who grow and change shape as they please, morphing from small childlike beings to petulant giants. The Migoo have been disrupting the construction to protect this sacred site – and now together with Mia they join in a fight to find Mia’s father and save the Tree, with the future of life on Earth hanging in the balance.
Rascal To Chai-yan brings a false charge of selling fake medicine against doctor Fan Tin-sang, who is sentented to a twenty-year imprisonment. Fan makes an escape after a decade, and secretly provides for the education of his son Fuk-kwan brought up by a poor blacksmith. Fuk-kwan grows up to be a doctor practising in the country. To again does harm to Fuk-kwan, only this time Fan intervenes. Both he and To die in the fight.
Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ...
Linda gives birth to an illegitimate child from a relationship with her boyfriend, Alex, who dies in an accident. To avoid a scandal, her father asks his younger sibling to take the baby to Cirebon. Linda is then told that the baby is dead. The baby, Yatim, is treated badly by the caregiver. The caregiver steals the money sent by Linda’s father to support the baby, so Linda’s father gets angry when more money is demanded. Linda overhears the conversation and is told the truth. So Linda goes to Cirebon to pick up her child but Yatim has already run away to Jakarta to look for her. He is aimless and homeless, and becomes a shoe polisher. A children’s toy seller hears a radio broadcast looking for the missing child and advises Yatim to go meet his parent. Yatim refuses, and instead gets hit by a car. Finally, they are reunited at the hospital.
The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.
Daru is an orphan who keeps having the same dream where he becomes a tree being struck by lightning. Between trying to fix the troubles he made at school and maintaining his relationship with his hard-pressed aunt, Daru discovers the meaning behind his dreams.
After "Getting Ready For Office" where Mr. *#@% gets late to his office, he gets fired. He finds freedom in this adverse situation, but slowly things take a dark turn which leads him to addiction. We follow him in his journey in his new reality.