After witnessing the killing of his mate and offspring at the hands of a reckless Irish captain, a vengeful killer whale rampages through the fisherman's Newfoundland harbor. Under pressure from the villagers, the captain, a female marine biologist and an Indigenous tribalist venture after the great beast, who will meet them on its own turf.
A retired high school English teacher is confronted by a former student who failed her class 15 years prior. He then involves her in a feature-length presentation on Moby-Dick and the science of reading.
A look at US society through the prism of Moby Dick, the mythical novel published by Herman Melville (1819-1891) in 1851.
In the middle of the night on February 11, 1823, the seafaring career of Captain George Pollard, Jr. came to a dramatic end in the remote northwestern Hawaiian Islands. Having survived the tragic events of the Essex, one of the world’s most infamous seafaring disasters, and the true life events that inspired Herman Melville’s novel Moby Dick, Pollard optimistically set sail for the Pacific once again in the whaleship Two Brothers, believing with all his heart “that it was an old adage that the lightning never struck in the same place twice.” In this case it did, and Pollard’s promising career as a whaling captain came to a tragic end on an uncharted reef in the most remote archipelago on earth, and what is now Papahānaumokuākea Marine National Monument. In 2008, a team of NOAA maritime archaeologists discovered the first clues of the whaleship Two Brothers and began to unlock the mystery of the only Nantucket whaleship ever found on the sea floor.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.