In 1978, two South Korean filmmakers--Director Shin Sang-ok and his star actress and ex-wife, Choi Eun-hee--were abducted and smuggled into North Korea in order to revolutionize the country's dying film industry.
In the 1950s a female war veteran and army nurse, Ra Myong Hui, expose the plot of the anti-party, counter-revolutionary factionalists despite threats to her life. The film is based on a real story that happened in 1950s in the Democratic People’s Republic of Korea.
This is a 25-minutes piece about the DPRK (North Korea), a country Vltchek visited and fell in love with. Vltchek goes against the hegemonic western propaganda that is perpetuated towards DPRK and their people, showing the beauty that resides in the country.
From 1950 to 1953, one hundred thousand children were orphaned by the Korean War. With no resources to mend the wounds, the two sides, North and South, took different paths to find homes and families for the war orphans. While the children of South Korea were sent to Europe and the United States through ‘International Adoption’, the children of North Korea were distributed across Eastern Europe through a method called ‘Commissioned Education’. As a result, more than five thousand children from the North had to spend nearly a decade living in foreign lands across Eastern Europe. This story is a record of their lives, which used to be kept hidden from the rest of the world. There is a key to understanding how North Korea's closed political structure began and how the ‘Juche ideology’ was formed in this documentary movie. Understanding North Korea in the 1950s is an important way to understand North Korea at present.
the Great Leader Comrade Kim Il Sung and how imperalism shouldnt exist
Pyongyang, a city full of happy people and flowers. A city of factories with smiling seamstresses and welders of locomotives. A city of power plants the illuminate department stores offering the fruits of the labour of its workers and peasants. Everybody spends their free time in sports palaces with synchronized swimming and white doves, or in the palace of cultures, where young pioneers play the accordion. Old men and women go on walks and young lovers rent boats by the river, above which arches a rainbow, a symbol of happiness and contentment.
Inspired by real events, combat surgeon Sergio Passaro is deployed to a remote UN position in North Korea in November 1950, He finds himself at the Chosin Reservoir, where outnumbered Marines face annihilation at the hands of thousands of Chinese soldiers. In this brutal environment, where subzero temperatures cause blood and vials of morphine to freeze solid, Passaro must treat a torrent of casualties on the frontlines without becoming one himself.
About five years after her film, Hana, dul, sed ... (2009), filmmaker Brigitte Weich returns to North Korea to ask four women on the national football team how their lives have evolved. In a friendly and congenial cooperation between the filmmaker and her protagonists, a work arises that not only tells about the concrete life of a professional athlete in North Korea, but also poses the question of the images that we all make of ourselves to give meaning to our lives and the world.
Sergeant Jung and his crew capture South Korean soldiers Han Gyu and Yeong Bok. Without knowing their identity, the crew continues the journey with two POWs.
One late afternoon, a mysterious guy tries to hitchhike in the middle of nowhere. But nobody seems to give him a ride. It is getting quite dark, a small van driver suddenly stops his car because he saw a man standing in front of his vehicle and the strange guy gets in the car abruptly.
A group of elite soldiers is sent across the border to South Korea to destroy a military base.
Is it possible to have fun in Pyongyang? Can one be joyful in the Democratic People’s Republic of Korea? If so, who can? Everyone? Doing what? Why does Kim Jong-un bet on amusement parks, skis trails, and tourism? This film allows to go beyond mass parades and recurring missile crisis, to meet the people of North Korean “Hermit Kingdom”. The authors have been there dozen times, like amateur anthropologists, filming during eight years parties and harvests, factories and singing contests, Pyongyang and the countryside – and interviewing North Korean people.
"Land of Whispers" invites you to visit arguably the most unique and isolated travel destination in the world - not to criticize, but to observe and listen. Aside from usual highlights such as Pyongyang or Arirang, this unique one-man documentary brings you to areas such as Chongjin or Wonson, still virtually unknown to even google or wikipedia. There, I attempt to pierce through the ever-present 'national mythology' and as much as possible, I try to connect with people - such as the waitress mesmerized by tablet computers, or a tour guide cautiously fascinated by modern pop culture.
On the morning of her first day at a new school, a girl practices different ways to greet her teacher in order to make a good impression. A bundle of nerves, she heads off to school, and, contrary to her expectations, is met with indifference by the teacher.
In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.
The escalation of tensions between Pyongyang and Washington continues, plunging the world into fear of a nuclear war. Update on the geopolitical issues of this conflict.
During a training exercise Frank White and his team are ambushed by former Soviet soldiers. Frank is kidnapped and a North Korean scientist attempts to brainwash him while his team tries to locate him. Later Frank has to go undercover with a group of eco terrorists to protect his commanders daughter who has joined the group. Frank realizes that there is a traitor in the group and must try to find out who it is, while finding the group is suspecting him.