This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.
This program is an overview of best practices to keep a person who has overdosed alive between discovery and hospitalization. Practices include quickly finding or identifying the substance the person on which the person has overdosed and traveling to a hospital or other treatment site immediately. Several simulations of different situations are shown, and the narrator asks the viewer what he or she would do differently. It provides an excellent overview of the basic prehospital approach to an overdosed patient. The initial field management of a patient is covered, accompanied by well-done scenarios illustrating incorrect technique. Although the inclusion of more medical detail would have been beneficial, this is a compelling presentation which is highly recommended for use.
Shocking, devastating and unflinchingly real. KOMO News' Eric Johnson looks at the heroin crisis in Seattle.
ALL KINDSA GIRLS traces the evolution of garage/punk rock from its inception in the sixties through current interpretations. Focusing on the career of singer/songwriter John Felice and his band the Real Kids, the film examines the significance of music in the lives of performers and fans. In 1976, the year the Ramones and the Sex Pistols issued their first albums, ex-Modern Lover John Felice put together the band that would become the Real Kids. One year later, they recorded the garage/punk classic known as the Red Star Album. ALL KINDSA GIRLS documents Felice's evolving search for success
Cal Thacker, a would-be artist, shares his slum living quarters with Mike Rubel, a pusher who exists in a private drug-centered world, and Richard Stoney Morgan, an embittered drifter who sponges from the other two. Cal's girl friend, Carrie, who has provided his only meaningful human contact, finds him in bed with another girl and breaks up with him. In despair, Cal tries unsuccessfully to obtain funds by selling his paintings. His motorcycle is wrecked in a crash, though Cal miraculously escapes injury. Later in the day, the three roommates meet at the apartment and attempt to obliterate their problems with cheap whiskey. The liquor only creates new problems, however; Mike and Cal become involved in a violent argument with Stoney, who eventually leaves. Seeking revenge, Stoney reports Mike to the police as a marijuana pusher and then returns to the apartment with a knife. In the fight that ensues, Cal kills Stoney; but Cal is then gunned down by police.
An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.
A warm story about the fight for a decent life. Deals with teenagers having problems with alcohol and drugs.
A doctor is pulled into Stockholm's underbelly after his brother gets caught up in a botched drug deal.
Ben Rogers was a bright schoolboy from a loving, middle class family. He played in the orchestra, loved cricket and enjoyed the annual family holiday. But his future promise was halted when he started taking drugs in his teens. Early drinking led to cannabis, harder drugs, and then the revelation to his family, at the age of 21, that he was addicted to heroin. Over the next 13 years Ben and his family battled with his addiction, going through detox, rehab and attempts at 'cold turkey', but his health gradually declined. Whilst attempting another detox aged 34, he died from a brain haemorrhage. But during the last two years of his life, Ben filmed an unflinching video diary showing his final desperate attempts to come off heroin. It's a portrayal of his descent; intimate, raw, and at times difficult to watch, he talks to his glove puppet as he injects into a vein in his groin.
This film points out the risks of being a heroin addict. Explains that addicts cannot be identified solely with one particular socio-economic level and cannot always be detected by appearance. Addicts and ex-addicts describe the first and subsequent drugs they used.
Heroin anti-drug educational film
Em is an escort girl and a heroin addict. From New York to Los Angeles via Pittsburgh, Em’s daily life is revealed.
The purpose of this presentation is to discuss the types of narcotic deaths and drugs encountered by Dr. Milton Helpern in his post as Chief Medical Examiner for New York City and to describe internal and external body changes resulting from narcotism. This objective is achieved with the use of photographs of overdose victims and the equipment found and used by addicts. According to this presentation narcotic addiction which has been a problem for many years has increased markedly within the last twenty years. The use of amphetamines and marijuana is discussed briefly and the equipment used by addicts is described and illustrated. Dr. Helpern then shows photographs of overdose victims and describes the circumstances under which the body was found.
Jamaa Fanaka’s first project plays off the Blaxploitation’s genre conventions, an adaption of Goethe’s “Faust” presented with a non-synchronous soundtrack and superimposed over a remake of Super Fly (1972). Often out of focus with an overactive camera, the film immediately exudes nervous energy, but unlike Priest’s elegant cocaine consumption in Super Fly, Willie’s arm gushes blood as he injects heroin. A morality tale in two reels. —Jan-Christopher Horak
A successful photographer and recovering heroin addict tries to solve a mystery and conquer his demons after his son is kidnapped.
This experimental 1970 color documentary film, ostensibly designed to provoke classroom discussion employs a boldly unconventional approach to addressing the issues of drug addiction, featuring the music of Canadian singer-songwriter Bruce Cockburn. The film eschews narration for montage effects and extended fly-on-the-wall scenes of various drug users in conversation.
In 2009, Swansea drug agencies reported a 180 percent rise in heroin use, and it's visible on the city's streets. Early one morning we meet a young, homeless couple named Amy and Cornelius in a city centre alley. As heroin-addicted alcoholics, they're smack in the middle of two of South Wales's most harrowing epidemics. An award-winning look at a generation lost to heroin, as told through the tragic love story of Amy and Cornelius.
Documentary following Jason Mewes' withdrawal from heroin and his struggle to stay clean.