When Popeye takes the baby for a walk in the stroller, the little one won't be quiet unless he's sleeping. Of course there's no end of noisiness.
After he inherits some money, Harold Bissonette ("pronounced bis-on-ay") decides to give up the grocery business, move to California and run an orange grove. Despite his family's objections and the news that the land he bought is worthless, Bissonette packs up and drives out to California with his nagging wife Amelia and children.
A woodpecker (Woody) repeatedly pecks the roof of Andy Panda's and his father's home. Daddy sets out to stop it.
Poopdeck Pappy has a hangover. He asks Popeye to help him by keeping the noise down. Among the disturbances he deals with: a crying baby across the way, a horse-drawn milk truck, a factory whistle, a radio, a traffic accident, a construction site, and a blasting site.
A little burro is beloved by all the cute wild creatures until he opens his mouth and they hear the horrible braying.
Barney is settling in for his hibernation when a squirrel spots his bedtime snack: a bowl of walnuts. The squirrel sneaks in and wakes Barney up. Barney chases out the squirrel, who proceeds to drop first the nut, then himself, down Barney's noisy tin roof.
The family dog warns Tom not to make any noise so he can take a nap. Jerry hears this and immediately devises plans to ensure that the dog's nap will be interrupted.
A very tired businessman needs some sleep and checks into a hotel run by Elmer Fudd, where Daffy Duck is the bellhop.
Elmer Fudd takes in Sylvester Cat and an orange kitten during a cold winter night. He'd like to adopt both, but can only keep one. He decides to go to bed and make up his mind in the morning. Sylvester and the kitten both want to be the one who is adopted, so each tries framing the other for noisy misdeeds.
A rabbit tries all he can to keep a hunting dog awake before tomorrow's big hunt.
Woody Woodpecker tries to get a night's rest in a bell tower.
Jack Terry is a master sound recordist who works on grade-B horror movies. Late one evening, he is recording sounds for use in his movies when he hears something unexpected through his sound equipment and records it. Curiosity gets the better of him when the media become involved, and he begins to unravel the pieces of a nefarious conspiracy. As he struggles to survive against his shadowy enemies and expose the truth, he does not know whom he can trust.
Blistering live performance by British black metal pioneers Venom captured at the Hammersmith Odeon in London in June of 1984. One of the most legendary shows in the history of metal featuring the classic line-up of Cronos (vocals/bass), Mantas (guitar) and Abaddon (drums). TRACKLIST: 01. Leave Me In Hell 02. Countess Bathory 03. Die Hard 04. 7 Gates Of Hell 05. Buried Alive 06. Don't Burn The Witch 07. In Nomine Satanus 08. Welcome To Hell 09. Warhead 10. Stand Up And Be Counted 11. Blood Lust
A human-looking alien from a highly advanced but emotionless all-male society is sent to Earth to impregnate a woman and bring the child back to their planet. The alien ends up falling in love there. A suspicious F.A.A. Agent targets him.
Static Discharge is composed of abstractions created from signal interference. The picture frame is continuously disrupted, as textured lines of feedback distort any form of representation. The flickering movement appears as if fed by an electric current with a faulty conductor - the electronic waves seem to split and repeat themselves without fully transmitting. This is a composition of video noise that creates pulsating tension, a s electricity grinds with flesh, revealing the harsh beauty inherent in a mechanical medium.
DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.
A troubled actor, a television show runner, and an acclaimed videogame designer find their lives intertwining in mysterious and unsettling ways.
When a woman is being called in the middle of the night, she finds out that it's not her husband laying next to her.
In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.
A radical remix of the recent Transformers film, via synthetic
collapse and critical revenge on its old & new fascist tropes >
celebrating SPEED. NOISE. + DANGER. The fervent declarations & violent
poetry of the Futurists are superimposed on the mythic morphology of
the Autobot blockbuster’s machine mayhem. Images of death &
destruction reign in a delirium of transformations as, to quote
Marinetti: “We Decompose the Universe!”