The film follows the story of a San Francisco Pentecostal minister Richard Gazowsky on his quest to shoot a groundbreaking fantasy film called Gravity: The Shadow of Joseph (described by him as "Star Wars meets The Ten Commandments"). The film follows him and members of his church as they go through pre-production and fly to Alberobello, Italy, for initial shooting that turns out to be marred with difficulties.
A film crew is shooting a scene. Their gestures gradually slip into dancing, revealing the beauty lying in the choreography of film sets.
Based on a true story, this is a subtle tale of re-affirmation of the identity of the artist following the Armenian Diaspora. It is an encounter with his alter-ego, a dialogue with his own conscience, a gradual dawning of the truth and an authentic glance at life... themes understandable by all. The film is an episode in the life of the director, a life full of surprises, and all the more so for being a cosmopolitan Armenian-American now standing on his native soil, his ultimate source of creative energy and ideas.
Twenty years after the release of Freddy vs. Jason, a XXX Films director gears up for a remake with no clue how to create a family-friendly flick.
Frédérique has obtained a firm commitment for the financing of her film on excision. At the last moment, however, the bank withdrew. Instead, the director asks her to become one of his many mistresses. The young woman decides to teach him a good lesson...
A free and intimate portrait behind the scenes of Valeria Bruni Tedeschi's creation. In front of the camera, she transmits to today’s young actors the memory of the 1980s.
Fragmented and chaotic. Reality in Królikiewicz's works is usually incoherent, in a state of disintegration, permanently damaged, painfully marked by history. The moral and cultural crisis is clearly visible. You can even see it… by the swimming pool.
The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.
The amazing story of stunts, men and women who risk their lives every day on set to get the perfect action scene.
A “Dark Web” thumb drive reveals footage of three American filmmakers in rural Quebec researching a historic child murder case. After witnessing several disturbing paranormal occurrences, they attempt to communicate with the spirit of the child.
Marcos, a prosthetic creator with a traumatic past, finds a corpse in his laboratory. While deciding what to do with the corpse he will have to juggle his strange family life, a zombie movie, the possibility of new love and creating the perfect prosthesis for a very special client.
"Blood Effects" a mockumentary by film maker Kris Black, is a cross between "Paranormal Activity" and Christopher Guest's "Best in Show". Presented as a "movie-within-a-movie", veteran Bruce Reisman produced Black's scathing satire of Hollywood horror movies, where reality ties itself up with fantasy, and the results are both humorous and horrifying.
What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven
On December 16th, 2011, eight people on their way to Las Vegas stopped in the ghost town of Garlock, California. This footage documents what happened.
Nigeria's film industry, Nollywood, is the third-largest in the world--an unstoppable economic and cultural force that has taken the continent by storm and is now bursting beyond the borders of Africa. "Nollywood Babylon" is a feature documentary detailing the industry's phenomenal success. Propelled by a booming 1970s soundtrack of African underground music, the movie presents an electric vision of a modern African metropolis and a revealing look at the powerhouse that is Nigerian cinema.