A young man in Oakland, California, wakes with a heavy heart and decides to take a walk through the neighborhood to the local barbershop.

Come Back, Africa chronicles the life of Zachariah, a black South African living under the rule of the harsh apartheid government in 1959.

Emily’s boyfriend has turned into a zombie overnight. She has successfully tied him to the bed frame with a phone charger, but not before he was able to bite her. With nothing to aid her other than a phone and a musical keyboard, a weak and tired Emily must figure out how to prevent herself becoming a zombie before it’s too late.

African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.

A documentary, combining archival material and live interviews with Marcus Garvey, Jr., and others, which introduces the life and work of the pioneer Black nationalist leader Marcus Garvey.

A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.