In this early mother-in-law comedy, a bride’s mother insists on managing the private lives of the newly married couple—to the point of sleeping with them.
The unexpected arrival of his mother-in-law causes uncontrollable hysteria in Kri-Kri's home. Determined to scare her off, indeed get rid of her, he starts developing Machiavellian plans. Trying to poison, sabotage and beat her up, Kri-Kri stops at nothing to attempt to frighten his terrible mother-in-law, to the great displeasure of his sweet wife.
A mild-mannered man's problems with his domineering wife and mother-in-law lead to complications with the law.
Lloyd's look at married life and the issues of the in-law. Adventures include a ride on a crowded trolley with a live turkey; A wild spin in a new auto with the in-laws in tow. Finally, a sequence in which Hubby accidentally chloroforms his mother-in-law and becomes convinced that he's killed her!
Mathias Pascal, only son of a once-rich family, marries beautiful Romalinda, who has a terrible mother-in-law. She controls her daughter, and soon his home life becomes a nightmare. His only moments of lights are his mother and baby, but both die on the same day. Shocked, he leaves his hometown and goes to Monte Carlo, where he wins a fortune at the casino. Returning home, he reads his own obituary in a paper. They have found a corpse in a creek and connected it with his disappearance. Mathias, noticing that he is now free from all ties to his old life, decides to start a new one.
Mrs. Gibbs is introduced to the mother of her daughter's fiance.
A highly respectable lawyer becomes a sexual animal after working hours; His live-in mother-in-law tries to keep him in line. When an actor-impersonator comes to see him, the two switch lives.
Longtime friends become feuding mothers-in-law when their children marry.
Harold Hobbs doesn't much like that his lazy, sponging and unemployed brother-in-law Claude and his mother-in-law live with him and his wife, Hortense, especially as the in-laws seem to rule the roost ever since they moved in. To get his in-laws out of the house, Harold has regularly left a bottle of booze for Claude to be able to entertain prospective employers. When Harold learns that on all the other occasions the employers have not showed (he assumes there probably were no prospective employers) leaving Claude to consume the booze on his own, he decides to show Claude a lesson by spiking the bottle with castor oil. Complications ensue when Joe, Harold's friend, encourages him to skip work to attend the prize fight. What Joe doesn't tell Harold is that he tells his boss that Harold needs the day off to attend to the sudden death of his brother-in-law.
Henry and Elmer stay out all night, then fear returning home because of their formidable mother-in-law.
In this Pete Smith Specialty short, a series of vignettes illustrate some ways that mothers-in-law irritate, and/or cause problems for, their son-in-law.
Julia and William were married and soon separated by his snobbish family. They meet again many years later, when their daughter he has raised invites her mother to her wedding, with the disapproval of William's mother.
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls in love with wealthy Randy, May fears class differences may lead to misery.
A ring passes between a lot of different people, giving the bearer or someone close a new meaning to life. Actors, embezzlers, old ladies and cheated husbands all seem to gain temporary hope from misery and disillusionment.
Ellen McNulty leaves her New Jersey hamburger stand and heads west to pay a surprise visit to her son and his new bride. When Ellen arrives, her daughter-in-law mistakes her for the maid she has hired for a big party they are throwing. Rather than cause any embarrassment, Ellen goes along with the charade, which leads to many complications.
A young man takes in a dog that turns out to be wanted by mobsters.
The Baroness de Courtebise presides over an association of mothers-in-law with grievances against their sons-in-law. Armed with her prerogatives, she forbids the marriage of her daughter-in-law to the mayor's nephew, especially as an inheritance is in doubt. The ladies kidnap, the men kidnap, the election campaign turns sour and the Baroness must capitulate. She takes revenge by falling into the mayor's arms.
Advertising executive Marshall Briggs finds his work in conflict with his love-life with fashion model Janice Blake.
A war widow with a young boy manages a farm with her bossy mother-in-law. When a reporter comes to interview her, the two begin an affair. He turns out to be married and won't leave his wife. Her older brother tries to marry off his children and hang on to/ extend his farm through an advantageous marriage in the face of threatened land confiscation and the desire of his children to get comfortable urban jobs instead of the backbreaking work in the paddy fields under parental control.
Fat Kau (Leung Sing-por) and his wife (Ma Siu-ying) are not on the best terms with their fierce daughter-in-law Tang (Tam Lan-hing). It is their secret wish that their grandson Kim-kwong (Yam Kim-fai) would marry an ill-tempered woman—it would be, Kau and Lee think, poetic justice for Tang to have a taste of her own medicine. But to their disappointment, the granddaughter-in-law Yu-chu (Law Yim-hing) turns out to be meek and understanding. Kau and his wife therefore tricks Yu-chu into starting a quarrel with Tang. Rich in intricate details of everyday life, the film depicts a witty battle between vivid characters, and is a comedic portrayal of the relationship between mother and daughter-in-law through three generations.