A young artist's desire to reach new heights with his creations is pushed to the limit as he decides to take a different substance each day to see how his craft is affected.
What would happen if we'd try to perceive the digital image at a microscopic level? Would we be able to see between or behind the pixels, as if they were atoms in a vacuum? We can escape the frame by crossing its outer borders, but is there also a way out through the image? This film shows that digital images deny us these possibilities: no matter how far one zooms in, the medium will fill in the supposed emptiness, resisting finitude.
When an innocent man is captured by a mad scientist, he is used as a tragic experiment being transformed into a hideous monster and released into the wild.
An exploration of two souls inhabiting bodies from 1940's Hungary, and the beginning of the digital age.
Two individuals get stuck in a reoccurring loop of dreams, strung together by the presence of a rotary phone, they must scramble for their survival to move through each layer of the dreamscape.
watching a very good movie while spanning time alone
Painful memories are unleashed following an act of violent suicide.
Cain suffers from an unusual ailment that induces the expulsion of a shimmering black substance, leading to his self-isolation and exclusion from society. His friend, Ridley, endeavors to alleviate his physical and mental distress and integrate him back into the normal world; all the while an eldritch entity strives to steer him towards an inevitable, tragic course.
An experimental reinterpretation of 1950s science fiction B movies.
Designing artificial relationships between found or stolen elements is a technique that seeks to discuss found footage. Credere a tutto tells about houses and living beings and has developed by intertwining ancient photos, a text, a film sequence and original video footage. Materials that take on time, space and new meanings within the expanded vision of the so-called “spectators”. A techno music session while séances and panoramic views of derelict houses question us about what we see and what we cannot see.
Hunter, a bride-to-be, feels overworked and unappreciated. Her artistic spirit is squelched by the shallow corporate world she’s in and she has had enough. Unfortunately, she feels as if she can’t turn to Ian, her commercial executive fiancé, for solace. As her wedding day approaches, Hunter and her three bridesmaids embark on a road trip to Las Vegas for one last hoorah together. As the girls venture from the city, they decompress and let their personal barriers fall. An impromptu sightseeing excursion into the desert leads to a clash of anxieties and attitudes between Hunter, the bridesmaids, and her fiancé as Hunter searches for the road that’s right for her.
Daily dedications to a minor artisan of the classical Hollywood western. Each segment was originally a kind of letter, a private correspondence, sent in fragments to a friend over a few weeks—an ode to R.G. but also to B.C. (an ode to cinema, to everyday life, and to the cinephilic fantasy of their becoming indistinguishable).
Disintegrations—ecological, sensorial, and medial—between the viewer and the world viewed. Images of something like nature struggling to endure against the noise of an entropic electronic signal.
The soul leaves the body.
A surreal horror film following an obsessive actress who finds herself trapped within a cursed theatrical production where she is forced to choose between her career and her life.
A film made using home videos and scrapped projects, inspired by rapidly blinking on a sunny day.
Two working women talking about their lives on their way back to hostel. They came to conclusion that they're the only ones who talk about the job, salaries, struggles in workplace seriously since there's no change happening in anybody's life.
The tenth film from Shahriar Hanife's series of experimental etudes, an Iranian researcher.
A landscape film about isolation, fear, and the ever-presence of religion in rural Pennsylvania.