The film commences with Ching (Tang Bik-wan) lamenting over her bleak life through singing: her mother died early and her stepmother (Lam Mui-mui) is wicked. The song precedes her appearance in the house while the cinematography helps to tug at the emotional heartstrings. Because of her debt-ridden father, Ching is forced by the stepmother to marry an old invalid. To prevent the marriage, Ching's lover Ho (Chan Kam-tong) raises money by agreeing to marry his own cousin (Fung Wong Nui). Ching's life is doomed, yet, when the stepmother absconds with the money. With all her hopes dashed to the ground, Ching decides to opt out of marriage for life. However, witnessing her 'self-combed' sworn sisters being bullied even to the point of committing suicide further devastates her. This tragic heroine comes to life through Tang's masterful performance both as a singer and an actor. The climatic and tear-jerking scene of Ching dying is definitely a highlight of the film.

Saigon, 1930. Eliane Devries dirige une gigantesque plantation d’arbres à caoutchouc. Tout son amour est voué à sa fille adoptive, Camille, jeune princesse vietnamienne. Un bel officier français, Jean-Baptiste Le Guen, va bouleverser leurs vies. Lorsqu’il est exilé dans les îlots lointains, Camille part à sa recherche. Elle découvrira alors son propre pays, fait de passion, de violence et de mort. Une fois réunis, les deux amants embrassent la cause du nationalisme vietnamien…